1 00:01:32,254 --> 00:01:33,905 (rock music playing) 2 00:02:08,457 --> 00:02:11,560 � STAYING UP THROUGH THE NIGHT � 3 00:02:11,561 --> 00:02:13,311 � BLACK OR WHITE � 4 00:02:13,312 --> 00:02:15,364 � NO BIG DEAL � 5 00:02:15,365 --> 00:02:18,883 � GOING HOME AFTER DARK � 6 00:02:18,884 --> 00:02:21,636 � ROLLING SLEEVES � 7 00:02:21,637 --> 00:02:23,405 � FOR THE KILL � 8 00:02:23,406 --> 00:02:25,090 � EVERYTHING GOES AWAY � 9 00:02:25,091 --> 00:02:26,891 � DYING AND COMING BACK � 10 00:02:26,892 --> 00:02:28,793 � FALLING INTO THE FRAY � 11 00:02:28,794 --> 00:02:30,862 � FORCING YOU OFF THE TRACK � 12 00:02:30,863 --> 00:02:32,664 � SPEEDING THEN PULLING BACK � 13 00:02:32,665 --> 00:02:34,732 � DOWN AND THEN UP WE GO � 14 00:02:34,733 --> 00:02:36,985 � INTO THE FALLING SNOW � 15 00:02:38,287 --> 00:02:40,722 � STAY CLOSER � 16 00:02:40,723 --> 00:02:41,873 � BE BRIGHTER � 17 00:02:41,874 --> 00:02:46,060 � THAN LIGHTNING BE � 18 00:02:46,061 --> 00:02:47,662 � BE FRIGHTENING � 19 00:02:47,663 --> 00:02:49,197 � BE LIGHTER � 20 00:02:49,198 --> 00:02:51,433 � THAN LIGHTNING BE � 21 00:02:53,335 --> 00:02:55,136 � STAY CLOSER � 22 00:02:55,137 --> 00:02:57,122 � BE BRIGHTER � 23 00:02:57,123 --> 00:02:59,324 � THAN LIGHTNING BE. � 24 00:03:07,733 --> 00:03:10,969 Man on tape: Do you love me indeed? 25 00:03:10,970 --> 00:03:14,139 Woman on tape: I love you very much. 26 00:03:15,975 --> 00:03:19,144 Man on tape: You are beautiful. 27 00:03:19,145 --> 00:03:21,913 You are charming. 28 00:03:21,914 --> 00:03:25,150 (tape rewinding) 29 00:03:25,151 --> 00:03:28,253 Lesson 7. 30 00:03:28,254 --> 00:03:30,354 - (loud music playing) - Part 1. 31 00:03:30,355 --> 00:03:33,207 (tires screech) 32 00:03:33,208 --> 00:03:36,511 Woman on tape: What is your name? 33 00:03:36,512 --> 00:03:39,564 Man on tape: My name is Peter. 34 00:03:39,565 --> 00:03:42,416 HEY, LANA. LANA. 35 00:03:42,417 --> 00:03:47,389 MY NAME IS VADIM. I AM 21 YEARS OLD. 36 00:03:47,390 --> 00:03:51,093 - I'M SEXY BEAST. - (laughs) 37 00:03:51,094 --> 00:03:53,612 (speaking Russian) 38 00:04:12,815 --> 00:04:14,516 Lana's voice: WHAT A DOUCHEBAG. 39 00:04:14,517 --> 00:04:16,701 I'M SO OVER THIS. 40 00:04:16,702 --> 00:04:19,070 NOW IT'S HER TURN TO BUG ME. 41 00:04:19,071 --> 00:04:22,006 - (speaking Russian) - MAMA. 42 00:04:59,562 --> 00:05:01,363 Lana's voice: WORDS THAT AREN'T RUSSIAN 43 00:05:01,364 --> 00:05:04,032 TAKE ME AWAY FROM THIS SHITTY PLACE. 44 00:05:05,434 --> 00:05:07,602 "LITTLE PEOPLE BREAK TO CHINA, 45 00:05:07,603 --> 00:05:09,938 LITTLE PEOPLE FALL TO PIECES, 46 00:05:09,939 --> 00:05:12,791 UGLY, PRETTY, MAJOR, MINOR, 47 00:05:12,792 --> 00:05:16,394 SHOOT TO KILL, NOBODY MISSES." 48 00:05:17,596 --> 00:05:19,581 (men speaking Russian) 49 00:05:31,694 --> 00:05:33,227 Lana's voice: PRISON LABOR. 50 00:05:33,228 --> 00:05:35,096 EVERY DAY MY MOTHER TELLS ME 51 00:05:35,097 --> 00:05:37,065 HOW LUCKY WE ARE WE ARE NOT LIKE THEM. 52 00:05:41,403 --> 00:05:44,039 WE HAVE JOBS. WE ARE FREE. 53 00:05:45,240 --> 00:05:47,075 BUT I DON'T SEE THE DIFFERENCE. 54 00:05:49,562 --> 00:05:51,546 THERE IS ONE DIFFERENCE BETWEEN ME AND THEM. 55 00:05:51,547 --> 00:05:53,464 (buzzer sounds) 56 00:05:53,465 --> 00:05:55,433 I CAN GO TO MOSCOW. 57 00:06:32,738 --> 00:06:34,605 I WAS BORN HERE. 58 00:06:34,606 --> 00:06:38,076 IN THIS TOWN MY CHOICE IS SIMPLE-- 59 00:06:38,077 --> 00:06:41,930 WORK IN THE SLAUGHTERHOUSE OR SLEEP WITH VADIM. 60 00:06:43,398 --> 00:06:45,200 I HATE THIS PLACE. 61 00:06:55,177 --> 00:06:57,212 (siren blaring) 62 00:07:05,721 --> 00:07:07,489 Janie's voice: THIS PLACE SUCKS. 63 00:07:09,558 --> 00:07:11,793 ASSHOLE. 64 00:07:15,581 --> 00:07:17,648 YES, JANIE? 65 00:07:17,649 --> 00:07:20,318 Janie's voice: SO WHERE IS SHE NOW? 66 00:07:20,319 --> 00:07:23,688 MORE LIES ABOUT BEING STUCK IN TRAFFIC. 67 00:07:23,689 --> 00:07:26,857 I'M STUCK IN TRAFFIC. 68 00:07:26,858 --> 00:07:28,743 IT'S MOSCOW. 69 00:07:32,315 --> 00:07:35,049 (speaking Russian) 70 00:07:45,710 --> 00:07:47,262 (horn honking) 71 00:07:47,263 --> 00:07:50,315 Janie's voice: OH LOOK, THE BITCH GOT A NEW PORSCHE. 72 00:07:52,768 --> 00:07:54,669 FUCK OFF. 73 00:08:01,360 --> 00:08:03,311 WHY DO YOU ALWAYS HAVE TO BE LATE? 74 00:08:03,312 --> 00:08:05,646 EVERY DAY YOU'RE LATE. 75 00:08:05,647 --> 00:08:08,149 OKAY, SO WHAT WERE YOU REALLY DOING? 76 00:08:14,573 --> 00:08:16,341 (groans) 77 00:08:16,342 --> 00:08:19,243 Lana's voice: THE SMELL OF PIG NEVER LEAVES MY CLOTHES. 78 00:08:21,947 --> 00:08:25,350 WHEN I BECOME A MODEL I'LL BATHE IN PERFUME. 79 00:08:25,351 --> 00:08:27,151 MAKE ME A STAR, EDWARD. 80 00:08:31,073 --> 00:08:33,791 (music playing) 81 00:08:39,882 --> 00:08:41,516 YOU STOLE MY PILLS AGAIN. 82 00:08:41,517 --> 00:08:43,668 I DID NOT. GET OUT OF MY ROOM. 83 00:08:43,669 --> 00:08:46,988 THEN WHY DO PILLS SHOW UP IN DRY-CLEANING? 84 00:08:46,989 --> 00:08:49,490 BECAUSE YOU WERE TOO HIGH TO REMEMBER WHERE YOU LEFT THEM. 85 00:08:49,491 --> 00:08:52,793 - YOUR DRY-CLEANING. - I DIDN'T STEAL YOUR STUPID PILLS. 86 00:08:52,794 --> 00:08:54,362 NOW GET OUT OF MY ROOM. 87 00:08:55,581 --> 00:08:57,248 (speaking Russian) 88 00:09:01,119 --> 00:09:04,839 Janie's voice: STUPID BITCH THINKS I'M A PILL FREAK JUST LIKE HER. 89 00:09:17,803 --> 00:09:19,904 FUCK EVERYTHING. 90 00:09:19,905 --> 00:09:22,540 EXCEPT T.A.T.U. THEY'RE NIHILISTS. 91 00:09:22,541 --> 00:09:24,425 BEAUTIFUL NIHILISTS. 92 00:09:24,426 --> 00:09:26,995 WE'RE MEETING THEM AFTER THE CONCERT, I SWEAR. 93 00:09:26,996 --> 00:09:29,898 WHAT IS 94 00:09:29,899 --> 00:09:33,467 NIHILIST? 95 00:09:33,468 --> 00:09:35,286 (laughs) 96 00:09:35,287 --> 00:09:38,239 IT MEANS WE BELIEVE IN NOTHING 97 00:09:38,240 --> 00:09:41,793 SO WE CAN DO ANYTHING. 98 00:09:43,295 --> 00:09:44,395 SEE YOU TOMORROW. 99 00:09:44,396 --> 00:09:47,081 � NO MORE CRYING TEARS � 100 00:09:47,082 --> 00:09:49,083 � ALL THAT WAS BEFORE � 101 00:09:49,084 --> 00:09:51,152 � IS NO LONGER HERE � 102 00:09:51,153 --> 00:09:53,537 � NO MORE SINGING SONGS � 103 00:09:53,538 --> 00:09:55,223 � SILENT LIPS ARE DRY � 104 00:09:55,224 --> 00:09:57,058 � ALL THAT WAS BEFORE � 105 00:09:57,059 --> 00:09:58,759 � SLOWLY PASSING BY. � 106 00:10:15,460 --> 00:10:19,981 Janie's voice: DAD, I'M SO OVER YOUR NEVER-ENDING BUSINESS TRIPS, 107 00:10:19,982 --> 00:10:22,801 BEING FORCED TO LIVE IN THIS PLACE 108 00:10:22,802 --> 00:10:25,803 AND ALWAYS FEELING SO ALONE. 109 00:10:43,121 --> 00:10:45,172 BITCH. 110 00:10:55,650 --> 00:11:00,054 � SLOW DOWN, WHAT'S THE BIG HURRY? � 111 00:11:00,055 --> 00:11:02,022 � WHEN DID YOU FORGET � 112 00:11:02,023 --> 00:11:04,525 � AND LIFE BECAME A WORRY? � 113 00:11:04,526 --> 00:11:07,095 � ALL I WANT TO DO � 114 00:11:07,096 --> 00:11:08,746 � IS LAY DOWN IN THE GRASS � 115 00:11:08,747 --> 00:11:11,216 � AND STARE UP AT THE STARS � 116 00:11:11,217 --> 00:11:14,152 � INSTEAD OF GROWING UP TOO FAST � 117 00:11:14,153 --> 00:11:16,254 � OH OH � 118 00:11:16,255 --> 00:11:19,089 � I'M TAKING TIME TO FEEL THE SUNSHINE � 119 00:11:19,090 --> 00:11:21,025 � FIND OUT � 120 00:11:21,026 --> 00:11:23,894 � WHO I AM AND IN MY OWN TIME � 121 00:11:23,895 --> 00:11:28,165 � FROM WHERE I STAND IT'S QUITE A VIEW � 122 00:11:28,166 --> 00:11:31,569 � EVERY DAY IS BRAND NEW � 123 00:11:31,570 --> 00:11:33,738 � THIS IS MY LIFE. � 124 00:11:33,739 --> 00:11:36,073 (playing piano) 125 00:11:36,074 --> 00:11:38,359 LANA, HELLO. 126 00:11:38,360 --> 00:11:40,662 LANA, WHERE ARE YOU? 127 00:11:40,663 --> 00:11:42,730 NO, I CAN'T HEAR YOU. LANA? 128 00:11:42,731 --> 00:11:44,098 LANA. 129 00:11:44,099 --> 00:11:46,517 (phone rings) 130 00:11:48,620 --> 00:11:51,856 - HELLO. - HEY, ARE YOU HERE? 131 00:11:53,726 --> 00:11:55,593 WHAT PLATFORM ARE YOU ON? 132 00:11:55,594 --> 00:11:58,095 OKAY, YEAH. 133 00:11:58,096 --> 00:12:00,398 HOLD ON. 134 00:12:02,267 --> 00:12:04,535 I DON'T KNOW IF I CAN-- OKAY, I SEE YOU. 135 00:12:04,536 --> 00:12:06,904 LANA! 136 00:12:09,608 --> 00:12:11,876 - HI. - HI. 137 00:12:11,877 --> 00:12:13,911 I'M SO GLAD YOU'RE HERE. 138 00:12:13,912 --> 00:12:15,946 LET'S TAKE A PICTURE. 139 00:12:15,947 --> 00:12:17,715 FIRST ONE OF US TOGETHER. 140 00:12:17,716 --> 00:12:20,184 YOU SHOULD TAKE IT. YOUR ARMS ARE LONGER. 141 00:12:20,185 --> 00:12:22,219 - THAT BUTTON RIGHT THERE. - OKAY. 142 00:12:22,220 --> 00:12:24,689 OKAY. SMILE. 143 00:12:24,690 --> 00:12:26,557 (woman speaking over P.A.) 144 00:12:26,558 --> 00:12:28,225 (clicks) 145 00:12:32,398 --> 00:12:34,599 SO WHAT SHOULD WE DO? 146 00:12:34,600 --> 00:12:36,584 WE CAN GO BACK TO MY PLACE 147 00:12:36,585 --> 00:12:39,253 BUT MY STEPMONSTER'S PROBABLY GONNA BE THERE. 148 00:12:39,254 --> 00:12:41,255 CAN WE WALK? 149 00:12:41,256 --> 00:12:43,190 I REALLY WANT TO SEE MOSCOW. 150 00:12:43,191 --> 00:12:45,493 NO, LANA, YOU CAN'T WALK. 151 00:12:45,494 --> 00:12:47,261 MOSCOW IS SO BIG. 152 00:12:47,262 --> 00:12:49,597 I MEAN IT TAKES LIKE A MONTH JUST TO CROSS THE STREET. 153 00:12:51,767 --> 00:12:53,367 YOU KNOW, JANIE, 154 00:12:53,368 --> 00:12:56,404 IN MOSCOW ALL DREAMS COME TRUE. 155 00:12:56,405 --> 00:12:58,305 I FEEL IT. 156 00:12:58,306 --> 00:13:02,142 � TRUST � 157 00:13:02,143 --> 00:13:04,912 � IN ME � 158 00:13:06,948 --> 00:13:09,717 � SHE SAID � 159 00:13:11,787 --> 00:13:13,888 � SHE SAID... � 160 00:13:13,889 --> 00:13:17,124 - (speaking Russian) - Man: WHAT? 161 00:13:19,595 --> 00:13:21,962 "BILL, 162 00:13:21,963 --> 00:13:25,600 I'M LOVING THE PHOTO YOU HAVE SEND. 163 00:13:25,601 --> 00:13:29,687 I SEND YOU PHOTO OF ME AT BEACH OF"-- 164 00:13:29,688 --> 00:13:32,073 (dialing) 165 00:13:33,442 --> 00:13:36,828 DIMA, QUESTION. WHAT'S A GOOD BEACH IN RUSSIA? 166 00:13:36,829 --> 00:13:38,746 OH, NOT THE BLACK SEA. SOMETHING SEXY. 167 00:13:38,747 --> 00:13:40,998 SOCHI? ARE YOU SURE? 168 00:13:40,999 --> 00:13:43,100 SOUNDS LIKE A LAVATORY CLEANER. 169 00:13:43,101 --> 00:13:45,636 OKAY, SOCHI IT IS THEN. THANK YOU, BYE BYE. 170 00:13:45,637 --> 00:13:47,571 YOU BUTT PLUG. 171 00:13:47,572 --> 00:13:50,324 "ALSO WITH VISA 172 00:13:50,325 --> 00:13:52,543 IS AGAIN PROBLEM. 173 00:13:52,544 --> 00:13:54,912 TRAVEL AGENT SAY TO FIX 174 00:13:54,913 --> 00:13:56,981 WILL COST OF $2,000. 175 00:13:56,982 --> 00:13:59,016 I AM SORRY. 176 00:13:59,017 --> 00:14:01,068 BUT CAN YOU SEND THIS AMOUNT? 177 00:14:01,069 --> 00:14:04,004 OH MY BIG HANDSOME BILL. 178 00:14:04,005 --> 00:14:06,824 I CANNOT WAIT TILL YOU CAN HOLD ME 179 00:14:06,825 --> 00:14:08,292 IN BIG STRONG ARMS. 180 00:14:08,293 --> 00:14:10,861 I AM LOVING YOU SO MUCH. 181 00:14:10,862 --> 00:14:13,247 LOVE OLGA." 182 00:14:13,248 --> 00:14:15,199 FUCKING GENIUS. 183 00:14:18,186 --> 00:14:20,171 Janie: I MEAN, PEOPLE SAY NEW YORK IS TOUGH, 184 00:14:20,172 --> 00:14:22,740 BUT MOSCOW I THINK IS MUCH WORSE. 185 00:14:22,741 --> 00:14:24,291 EVERYBODY IS SO COLD. 186 00:14:24,292 --> 00:14:26,193 NOBODY EVER SMILES HERE. 187 00:14:26,194 --> 00:14:28,696 IF YOU SMILE TOO MUCH IT MEANS NOTHING. 188 00:14:28,697 --> 00:14:30,765 IN RUSSIA YOU HAVE TO EARN SMILE. 189 00:14:32,367 --> 00:14:34,869 OKAY, LIKE HER. HOW WOULD YOU GET HER TO SMILE? 190 00:14:36,605 --> 00:14:38,205 TRADE IN DOG FOR VIBRATOR. 191 00:14:38,206 --> 00:14:40,875 (laughs) 192 00:14:40,876 --> 00:14:43,143 � THERE'S SOMETHING ABOUT THIS TOWN � 193 00:14:43,144 --> 00:14:47,214 � THAT MAKES ME CRAZY. � 194 00:14:47,215 --> 00:14:48,382 (elevator dings) 195 00:14:48,383 --> 00:14:51,519 ANA? ANA? 196 00:14:51,520 --> 00:14:54,272 ANA? 197 00:14:54,273 --> 00:14:57,157 GOOD, THE WICKED WITCH IS GONE. 198 00:14:57,158 --> 00:14:59,226 COME ON, MY ROOM'S DOWN HERE. 199 00:15:11,272 --> 00:15:12,823 IS THIS YOUR MOM? 200 00:15:12,824 --> 00:15:14,409 YEAH. 201 00:15:17,762 --> 00:15:19,163 SHE WAS VERY BEAUTIFUL. 202 00:15:23,919 --> 00:15:27,454 NEW IPOD. IT'S SO SMALL. 203 00:15:27,455 --> 00:15:30,274 I HAVE ALL OF T.A.T.U.'S MUSIC ON IT TOO. 204 00:15:30,275 --> 00:15:33,828 AND ANI DiFRANCO, C.S.S., AND LE TIGRE. 205 00:15:33,829 --> 00:15:36,064 - EVERYBODY. - ALL ON THIS LITTLE THING? 206 00:15:39,084 --> 00:15:42,236 - YOU ARE SO LUCKY. - I GUESS. 207 00:15:42,237 --> 00:15:44,138 STUFF IS JUST STUFF. 208 00:15:44,139 --> 00:15:46,841 UNLESS YOU DON'T HAVE STUFF. 209 00:15:49,545 --> 00:15:51,112 YEAH. 210 00:15:51,113 --> 00:15:53,848 YOU HAVE YOUR OWN BATHROOM. 211 00:15:55,067 --> 00:15:57,718 YOUR ROOM'S SO BIG. 212 00:16:01,123 --> 00:16:03,440 IS THIS WHAT YOU TALK TO ME ON? 213 00:16:03,441 --> 00:16:05,676 YEAH, MY DAD GOT IT FOR ME FOR MY BIRTHDAY. 214 00:16:05,677 --> 00:16:08,146 HE WASN'T HERE, BUT HE'S NEVER REALLY HERE. 215 00:16:08,147 --> 00:16:09,913 LET'S SEE HOW MANY HITS WE GOT. 216 00:16:11,833 --> 00:16:14,968 - SHIT, WE DIDN'T GET ANY. - ANY WHAT? 217 00:16:14,969 --> 00:16:17,621 UM, I TOOK ONE OF YOUR POEMS, I MADE IT INTO A SONG 218 00:16:17,622 --> 00:16:19,907 AND I POSTED IT ON YOUTUBE. LOOK. 219 00:16:19,908 --> 00:16:22,377 � Little people break like China � 220 00:16:22,378 --> 00:16:25,980 � Little people fall to pieces � 221 00:16:25,981 --> 00:16:28,949 � Ugly, pretty, major, minor � 222 00:16:28,950 --> 00:16:30,818 � Shoot to kill... � 223 00:16:30,819 --> 00:16:33,270 - Lana: THIS IS WHAT I SEND YOU? - YEAH. 224 00:16:33,271 --> 00:16:34,738 IT'S COOL, RIGHT? 225 00:16:34,739 --> 00:16:36,674 - I KNOW WHY WE HAVE NO HITS. - WHY? 226 00:16:36,675 --> 00:16:39,510 YOU SING LIKE SQUEAKY BRAKES ON RUSSIAN TRAIN. 227 00:16:39,511 --> 00:16:41,244 (laughs) BITCH. 228 00:16:41,245 --> 00:16:43,631 OKAY HERE, LET'S SEE WHAT YOU CAN DO. 229 00:16:43,632 --> 00:16:46,583 RECORD HERE. THERE'S THE LYRICS. 230 00:16:46,584 --> 00:16:48,369 (music playing) 231 00:16:51,607 --> 00:16:53,307 � NIGHT � 232 00:16:53,308 --> 00:16:56,711 � LITTLE SHADOWS RUN, NIGHT � 233 00:16:56,712 --> 00:17:00,631 � WE CAN BE AS ONE, TIME � 234 00:17:00,632 --> 00:17:04,101 � SOME KISS AND TELL, TIME � 235 00:17:04,102 --> 00:17:07,822 � WE CAN LIVE AS ONE, LOVE � 236 00:17:07,823 --> 00:17:11,459 � IT'S AN EXERCISE IN � 237 00:17:11,460 --> 00:17:15,128 � ALWAYS TELLING LIES IN � 238 00:17:15,129 --> 00:17:18,298 � ALWAYS BREAKING HEARTS IN � 239 00:17:18,299 --> 00:17:20,568 � CHANGING BODY PARTS � 240 00:17:20,569 --> 00:17:24,204 � LITTLE PEOPLE BREAK LIKE CHINA � 241 00:17:24,205 --> 00:17:27,524 � LITTLE PEOPLE FALL TO PIECES � 242 00:17:27,525 --> 00:17:31,145 � Ugly, pretty, major, minor � 243 00:17:31,146 --> 00:17:34,081 � Shoot to kill, nobody �-- 244 00:17:34,082 --> 00:17:36,216 (music stops) 245 00:17:36,217 --> 00:17:38,519 UM, THIS IS MY FRIEND LANA. 246 00:17:38,520 --> 00:17:41,122 LANA, THIS IS MY STEPMOM. 247 00:17:43,091 --> 00:17:45,426 (speaking Russian) 248 00:17:48,997 --> 00:17:51,132 I LET YOU GO TO THE CONCERT TONIGHT. 249 00:17:51,133 --> 00:17:53,434 BUT DON'T COME BACK HOME LATE. 250 00:17:53,435 --> 00:17:55,068 NO LATER THAN MIDNIGHT. 251 00:17:55,069 --> 00:17:57,204 THE CONCERT DOESN'T START TILL 11:00. 252 00:17:57,205 --> 00:18:00,207 THEN 1:00. 253 00:18:00,208 --> 00:18:03,477 AS SOON AS IT'S OVER, HOME. 254 00:18:07,999 --> 00:18:09,733 HOME. HOME. 255 00:18:09,734 --> 00:18:11,402 UGH, CRAZY. 256 00:18:11,403 --> 00:18:12,970 - (phone chimes) - (gasps) 257 00:18:12,971 --> 00:18:14,856 ALMOST FORGOT. 258 00:18:14,857 --> 00:18:17,191 - FOR ME? - MM-HMM. 259 00:18:20,629 --> 00:18:23,631 - IT'S BEAUTIFUL. - OPEN IT. 260 00:18:26,134 --> 00:18:28,703 - Hi, guys. - How are you? 261 00:18:28,704 --> 00:18:31,905 Looking forward to seeing you at our show tonight. 262 00:18:31,906 --> 00:18:33,241 We love you. 263 00:18:33,242 --> 00:18:35,576 - Yours... - t.A.T.u. 264 00:18:35,577 --> 00:18:38,879 � SHE LOVES ME... � 265 00:18:41,316 --> 00:18:43,350 (laughing) 266 00:18:47,389 --> 00:18:50,258 - (speaks Russian) - WHAT IS HE SAYING? 267 00:18:50,259 --> 00:18:52,426 HE SAY TICKETS ARE FAKE. 268 00:18:52,427 --> 00:18:54,795 NO, THEY'RE NOT FAKE. CHECK THEM AGAIN. 269 00:18:54,796 --> 00:18:57,064 LANA, THEY'RE NOT FAKE. I BOUGHT THEM IN THE STORE. 270 00:18:57,065 --> 00:18:59,033 - (speaking Russian) - NO, THEY'RE NOT FAKE. 271 00:18:59,034 --> 00:19:01,535 THEY'RE NOT FAKE. I WANT TO TALK TO THE SUPERVISOR. 272 00:19:01,536 --> 00:19:03,737 NO, GO AND GET THE SUPERVISOR. 273 00:19:03,738 --> 00:19:06,073 I WANT TO TALK TO A SUPERVISOR. 274 00:19:06,074 --> 00:19:07,674 (speaks Russian) 275 00:19:07,675 --> 00:19:09,810 GO GET A SUPERVISOR! 276 00:19:09,811 --> 00:19:11,645 (crowd cheering) 277 00:19:11,646 --> 00:19:14,949 FUCK FUCK FUCK FUCK FUCK. 278 00:19:16,451 --> 00:19:18,452 WHAT NEXT? 279 00:19:18,453 --> 00:19:21,022 I DON'T KNOW, LANA. I DON'T HAVE A PLAN B. 280 00:19:22,925 --> 00:19:25,359 WHAT HOTTEST CLUB IN MOSCOW? 281 00:19:25,360 --> 00:19:27,995 CLUB CONDEMNED. 282 00:19:27,996 --> 00:19:30,231 THEN LET'S GO THERE. 283 00:19:30,232 --> 00:19:32,666 LANA, THERE'S NO WAY WE CAN GET IN THERE. 284 00:19:32,667 --> 00:19:35,803 WE ARE NIHILISTS. WE DO WHATEVER WE WANT. 285 00:19:39,741 --> 00:19:43,594 � MY LIPSTICK, SPLAYED THIGHS AND HIGH HEELS � 286 00:19:43,595 --> 00:19:48,165 � MY FUR COAT, MY LACE AND MY LEATHER... � 287 00:19:48,166 --> 00:19:50,934 (horns honking) 288 00:19:54,973 --> 00:19:57,191 - (crowd cheering) - Lana: I KNOW THAT GUY. 289 00:19:57,192 --> 00:20:00,093 - WHO? - HE'S EDWARD NIKITIN. 290 00:20:00,094 --> 00:20:02,413 - I'VE GOT TO MEET HIM. - NEVER HEARD OF HIM. 291 00:20:02,414 --> 00:20:05,615 - LANA, WHERE ARE WE GOING? THE LINE'S BACK THERE. - HE OWNS MODEL AGENCY. 292 00:20:05,616 --> 00:20:08,018 - COME. - LANA, WHERE ARE WE GOING? 293 00:20:08,019 --> 00:20:09,553 WHAT ARE WE DOING? 294 00:20:09,554 --> 00:20:11,455 (speaking Russian) 295 00:20:11,456 --> 00:20:14,541 I'M SO SORRY. I'M SO SORRY. 296 00:20:14,542 --> 00:20:16,410 I'M SO SORRY. 297 00:20:16,411 --> 00:20:19,063 - OH, YOU'RE FROM AMERICA. - YEAH. 298 00:20:19,064 --> 00:20:21,765 - OH, THIS EXPLAINS IT. - WHAT? 299 00:20:21,766 --> 00:20:24,034 I LOVE AMERICA. IT'S VERY GOOD PLACE. 300 00:20:24,035 --> 00:20:26,369 - I AM JUST COMING FROM NEW YORK. - I'M FROM NEW YORK. 301 00:20:26,370 --> 00:20:27,571 - YEAH? - YEAH. 302 00:20:27,572 --> 00:20:30,107 - VERY GOOD. - HI, I'M LANA. 303 00:20:30,108 --> 00:20:32,076 OH, HI. 304 00:20:37,749 --> 00:20:39,650 OKAY, YOU ENJOY CLUB, YEAH? 305 00:20:39,651 --> 00:20:41,352 MM-HMM. 306 00:20:42,987 --> 00:20:45,356 NICE TRY, DARLINGS. BETTER LUCK NEXT TIME. 307 00:20:45,357 --> 00:20:48,241 I CAN'T BELIEVE YOU DID THAT. NOW WE'RE NEVER GONNA GET IN. 308 00:20:56,167 --> 00:20:58,119 FIRST TIME? 309 00:21:00,905 --> 00:21:02,523 HAVE LUCK. 310 00:21:08,563 --> 00:21:10,748 � G-g-g-g-get ready... � 311 00:21:10,749 --> 00:21:12,433 (techno music playing) 312 00:21:12,434 --> 00:21:15,719 � Get ready, g-g-g-g-get ready � 313 00:21:15,720 --> 00:21:17,654 � Get ready � 314 00:21:19,090 --> 00:21:20,841 � G-g-g-g-get ready � 315 00:21:20,842 --> 00:21:22,810 � Get ready � 316 00:21:22,811 --> 00:21:24,928 � Get ready ready ready � 317 00:21:24,929 --> 00:21:27,430 � Ready ready ready ready ready � 318 00:21:44,782 --> 00:21:47,084 � G-g-g-get � 319 00:21:47,085 --> 00:21:50,320 � G-g-g-get, get ready, � 320 00:21:50,321 --> 00:21:52,673 � G-g-g-get, g-g-g-get ready. � 321 00:21:57,262 --> 00:21:59,179 (soft music playing) 322 00:22:04,719 --> 00:22:07,154 (applause) 323 00:22:10,858 --> 00:22:13,593 YOU'RE THE GIRL THAT BUMPED INTO EDWARD NIKITIN EARLIER, 324 00:22:13,594 --> 00:22:16,263 AREN'T YOU, DARLING? WELL DONE, YOU GOT IN THEN. 325 00:22:16,264 --> 00:22:18,933 WHY DON'T YOU COME AND TAKE THE WEIGHT OFF YOUR FEET? 326 00:22:18,934 --> 00:22:21,268 WE'RE GOT A LOVELY BOOTH OVER HERE WITH CHAMPAGNE. 327 00:22:21,269 --> 00:22:23,137 COME ON. 328 00:22:26,808 --> 00:22:29,343 SIT DOWN. 329 00:22:29,344 --> 00:22:31,812 RIGHT THEN, THESE ARE... 330 00:22:31,813 --> 00:22:35,115 OH, DOESN'T MATTER. THE ONLY ONE THAT MATTERS IS MY BOY DIMA. 331 00:22:35,116 --> 00:22:37,717 YOUR BOY? SO DOES THAT MAKE YOU HIS FATHER? 332 00:22:37,718 --> 00:22:40,587 NO, DARLING. I'M MORE LIKE HIS MOTHER. I'M HIS MANAGER. 333 00:22:40,588 --> 00:22:44,058 HEY, I KNOW YOU. YOU WERE SINGER FOR BANG. 334 00:22:44,059 --> 00:22:47,227 - BOOM. - WHAT? BANG BOOM? 335 00:22:47,228 --> 00:22:50,297 THE BAND IS CALLED BOOM. IT'S FUCKING GREAT. 336 00:22:50,298 --> 00:22:52,899 NOW I START LITTLE SOLO CAREER. 337 00:22:52,900 --> 00:22:55,069 AND WHAT DO YOU DO? 338 00:22:55,070 --> 00:22:58,872 OH, LANA'S THE NEW HOTTEST MODEL IN ALL OF MOSCOW. 339 00:22:58,873 --> 00:23:00,740 I CAN BELIEVE THIS, YES. 340 00:23:00,741 --> 00:23:02,609 NO, NOT REALLY. 341 00:23:02,610 --> 00:23:05,980 NO, MAYBE NOT NOW, BUT SOMEDAY YOU WILL BE. 342 00:23:05,981 --> 00:23:07,982 CHEERS. 343 00:23:07,983 --> 00:23:11,518 EDWARD WOULD LIKE YOU TO JOIN US. 344 00:23:11,519 --> 00:23:15,155 NOT JUST NOW, DARLING. WE'LL BE OVER SHORTLY, OKAY? 345 00:23:15,156 --> 00:23:17,458 OKAY. 346 00:23:17,459 --> 00:23:20,361 ALWAYS KEEP A MAN WAITING. 347 00:23:27,535 --> 00:23:29,336 RIGHT, LONG ENOUGH. SHALL WE? 348 00:23:45,120 --> 00:23:47,954 MAX. HELLO, MATE. 349 00:23:47,955 --> 00:23:49,923 HOW ARE YOU? 350 00:23:53,461 --> 00:23:55,929 RIGHT, GO TO WORK. 351 00:23:55,930 --> 00:23:57,297 HE'S OVER THERE. 352 00:23:57,298 --> 00:24:00,000 COME ON, DIMA. YOU CAN DO THIS. 353 00:24:05,840 --> 00:24:07,374 WHO IS THAT GUY? 354 00:24:07,375 --> 00:24:09,343 THAT'S MAX. HE'S T.A.T.U.'S MANAGER. 355 00:24:09,344 --> 00:24:11,978 - OH MY GOD, THEY WERE HERE? - OH YEAH. 356 00:24:11,979 --> 00:24:14,214 - DO YOU KNOW THEM? - DIMA USED TO PLOW ONE OF THEM. 357 00:24:14,215 --> 00:24:15,565 I CAN'T REMEMBER WHICH. 358 00:24:15,566 --> 00:24:18,085 THEY'RE GREAT-LOOKING GIRLS THOUGH. 359 00:24:18,086 --> 00:24:20,354 GO ON. WANT ONE? 360 00:24:27,495 --> 00:24:29,930 WHAT DID HE SAY? WHAT HAPPENED? 361 00:24:29,931 --> 00:24:32,466 - IF I MAKE SINGLE... - YEAH? 362 00:24:32,467 --> 00:24:35,002 - ...HE'S INTERESTED. - YOU'RE A STAR! 363 00:24:35,003 --> 00:24:37,637 YOU'RE A STAR! WELL DONE, DIMA. 364 00:24:37,638 --> 00:24:39,806 YES! 365 00:24:39,807 --> 00:24:42,076 - GO ON, HAVE YOUR BEST SNORTING POWDER. - NYET. 366 00:24:42,077 --> 00:24:43,577 WANT A LITTLE TICKLE, DARLING? 367 00:24:47,298 --> 00:24:48,782 (sniffs) 368 00:24:48,783 --> 00:24:50,534 GOOD GIRL, YEAH. 369 00:24:50,535 --> 00:24:53,687 - (speaks Russian) - AAAH! 370 00:24:53,688 --> 00:24:55,923 YEAH! 371 00:24:55,924 --> 00:24:58,425 (techno music playing) 372 00:25:13,992 --> 00:25:15,892 HEY, HOW ARE YOU? 373 00:25:15,893 --> 00:25:18,045 HAVING THE TIME OF MY LIFE. YOU? 374 00:25:18,046 --> 00:25:21,064 EDWARD'S GOING TO INTRODUCE ME TO TORRINO. 375 00:25:21,065 --> 00:25:23,100 WOW. 376 00:25:23,101 --> 00:25:26,370 - WHO THE FUCK IS TORRINO? - HE SHOOTS FOR "VOGUE." 377 00:25:26,371 --> 00:25:29,890 YOU'RE VERY LUCKY. 378 00:25:29,891 --> 00:25:31,324 IT'S 3:30. WE'VE GOT TO GO. 379 00:25:33,811 --> 00:25:35,579 LANA. 380 00:25:35,580 --> 00:25:37,764 LANA, WE'VE GOT TO GO. 381 00:25:37,765 --> 00:25:40,801 HEY, YOU COME TO MY PARTY TOMORROW AT TAZA. 382 00:25:40,802 --> 00:25:43,270 VERY GOOD. VERY BIG PARTY. YOU BE MY GUEST, YEAH? 383 00:25:43,271 --> 00:25:45,172 - YES, OF COURSE. - GOOD. 384 00:25:47,125 --> 00:25:49,326 (laughing) 385 00:25:57,335 --> 00:25:58,835 MY APARTMENT'S JUST UP THIS WAY. 386 00:25:58,836 --> 00:26:01,171 Ana: I spoke to your father. 387 00:26:01,172 --> 00:26:04,941 If I let you in, tomorrow you go to rehab. 388 00:26:04,942 --> 00:26:07,611 FUCK YOUR REHAB. 389 00:26:07,612 --> 00:26:09,613 I'M NOT GONNA COME BACK. 390 00:26:09,614 --> 00:26:12,032 COME ON. 391 00:26:12,033 --> 00:26:14,101 BITCH! 392 00:26:17,339 --> 00:26:20,640 COME ON. I KNOW A BETTER PLACE THAN MY STUPID APARTMENT ANYWAY. 393 00:26:20,641 --> 00:26:23,643 � YOU'RE READY TO RISE... � 394 00:26:23,644 --> 00:26:26,246 - (crowd cheering) - (engines revving) 395 00:26:26,247 --> 00:26:28,382 � YOU'RE READY TO RISE, YOU'RE READY TO GO � 396 00:26:28,383 --> 00:26:30,750 � YOU'VE BEEN WATCHING IN THE BACK OF A MOVIE SHOW... � 397 00:26:34,289 --> 00:26:36,923 ISN'T THIS BETTER THAN BEING AT MY APARTMENT? 398 00:26:38,994 --> 00:26:41,261 (man speaking Russian) 399 00:26:41,262 --> 00:26:42,579 I DON'T SPEAK RUSSIAN. 400 00:26:42,580 --> 00:26:44,548 DON'T SPEAK RUSSIAN? EUROPE OR AMERICA? 401 00:26:44,549 --> 00:26:46,249 AMERICAN. 402 00:26:46,250 --> 00:26:48,017 GEORGE BUSH. McDONALDS. 403 00:27:02,467 --> 00:27:04,300 COME ON, LANA. 404 00:27:13,678 --> 00:27:15,112 OH MY GOD. 405 00:27:28,943 --> 00:27:30,694 WHOO! 406 00:28:21,629 --> 00:28:23,764 � WELCOME TO THE � 407 00:28:23,765 --> 00:28:26,566 � FREAK SHOW � 408 00:28:26,567 --> 00:28:28,568 � WELCOME WELCOME � 409 00:28:28,569 --> 00:28:31,171 � TO THE FREAK SHOW... � 410 00:28:55,146 --> 00:28:57,447 I'LL BE THERE IN A SECOND. MAKE ME A DRINK. 411 00:29:23,657 --> 00:29:25,491 ANY LUCK? 412 00:29:27,161 --> 00:29:29,830 YES. BAD LUCK. 413 00:29:29,831 --> 00:29:31,164 (laughs) 414 00:29:36,136 --> 00:29:38,839 I DON'T KNOW. THREE YEARS. 415 00:29:45,362 --> 00:29:48,398 OH, EDWARD. EDWARD. 416 00:29:59,327 --> 00:30:02,195 BYE BYE. SEE YOU TOMORROW. 417 00:30:02,196 --> 00:30:04,764 - SEE YOU TOMORROW. - (laughing) 418 00:30:11,772 --> 00:30:13,240 MM-HMM. 419 00:30:41,185 --> 00:30:43,153 (Janie laughing) LANA. 420 00:30:43,154 --> 00:30:45,321 WE'RE FLYING. 421 00:30:46,407 --> 00:30:48,091 WHEEE! 422 00:30:51,662 --> 00:30:53,830 - YOU OKAY? - MM-HMM. 423 00:30:53,831 --> 00:30:56,633 - I'M GOING TO GO TO THE BATHROOM. - MM-HMM. 424 00:30:56,634 --> 00:30:58,435 - YOU STAY HERE. - YUP. 425 00:31:21,008 --> 00:31:23,543 I DON'T GO HOME ANYMORE. 426 00:31:26,281 --> 00:31:28,649 ENDLESS PARTIES, 427 00:31:28,650 --> 00:31:30,751 GETTING DRUNK, 428 00:31:30,752 --> 00:31:32,952 SWITCHING OFF REALITY. 429 00:31:34,955 --> 00:31:37,957 MY LIFE HAS BECOME TOTALLY MEANINGLESS. 430 00:31:56,410 --> 00:31:59,562 I AM SO FUCKING WEAK. 431 00:32:32,597 --> 00:32:34,598 JANIE? 432 00:32:34,599 --> 00:32:36,499 - (men laughing) - JANIE? 433 00:32:36,500 --> 00:32:38,818 JANIE? 434 00:32:38,819 --> 00:32:42,255 - ARE YOU OKAY? - YEAH. 435 00:32:42,256 --> 00:32:44,941 I'M OKAY. COME HERE. 436 00:32:54,919 --> 00:32:57,136 WHERE THE FUCK ARE WE? 437 00:32:59,940 --> 00:33:01,557 I DON'T KNOW. 438 00:33:05,029 --> 00:33:07,296 I AM BAD PERSON. 439 00:33:09,884 --> 00:33:14,171 I SAY MOTHER I WILL ONLY COME FOR SOME DAYS. 440 00:33:14,172 --> 00:33:16,540 BUT... 441 00:33:20,294 --> 00:33:22,378 I DON'T WANT TO GO HOME. 442 00:33:30,821 --> 00:33:33,323 STAY FOREVER. 443 00:33:43,734 --> 00:33:46,319 Thank you for coming to our show. 444 00:33:46,320 --> 00:33:49,456 We hope you liked it. It was cool. 445 00:33:49,457 --> 00:33:52,158 - We love you guys. - (echoing) t.A.T.u. 446 00:34:09,977 --> 00:34:12,628 � Always running free � 447 00:34:12,629 --> 00:34:15,598 � Little people break like China � 448 00:34:15,599 --> 00:34:19,635 � Little people fall to pieces � 449 00:34:19,636 --> 00:34:22,989 � Ugly, pretty, major, minor � 450 00:34:22,990 --> 00:34:27,043 � Shoot to kill, nobody misses � 451 00:34:27,044 --> 00:34:30,212 � Little people melt like vinyl � 452 00:34:30,213 --> 00:34:33,783 � Little people reassemble. � 453 00:34:50,467 --> 00:34:52,835 Janie: YOU WANT TO SEE SOMETHING COOL? 454 00:34:56,840 --> 00:34:59,292 I'VE ALWAYS WANTED TO PUT ONE UP OF MY OWN, 455 00:34:59,293 --> 00:35:01,311 BUT I'VE NEVER HAD ANYONE TO SHARE IT WITH. 456 00:35:06,934 --> 00:35:09,402 (laughs) 457 00:35:12,006 --> 00:35:13,540 � JUST LET IT � 458 00:35:16,894 --> 00:35:19,095 � JUST LET IT MOVE YA � 459 00:35:21,332 --> 00:35:23,249 � JUST LET IT � 460 00:35:25,836 --> 00:35:28,287 � JUST LET IT MOVE YA � 461 00:35:30,123 --> 00:35:32,258 � JUST LET IT � 462 00:35:34,461 --> 00:35:37,229 � JUST LET IT MOVE YA. � 463 00:35:41,685 --> 00:35:44,321 � THIS IS NOT MIAMI � 464 00:35:45,256 --> 00:35:48,625 � THIS IS NOT BANGKOK � 465 00:35:48,626 --> 00:35:52,495 � THIS IS NOT MILANO � 466 00:35:52,496 --> 00:35:56,032 � THIS IS NOT NEW YORK � 467 00:35:56,033 --> 00:35:59,636 � THIS IS NOT CHICAGO � 468 00:35:59,637 --> 00:36:03,139 � THIS IS NOT HONG KONG � 469 00:36:03,140 --> 00:36:06,909 � THIS IS NOT HELSINKI � 470 00:36:06,910 --> 00:36:10,180 - � THIS IS NOT LONDON... � - DIMA, LOOK THIS WAY! 471 00:36:28,598 --> 00:36:30,366 WE SHOULD GO TALK TO HIM. 472 00:36:42,779 --> 00:36:44,914 - MAX, HI. HI. - HI. 473 00:36:44,915 --> 00:36:47,383 DIMA'S UP NEXT. SORT OF A BIRTHDAY SURPRISE. 474 00:36:47,384 --> 00:36:50,420 YOU ARE STAYING, AREN'T YOU? HE'D BE MADE UP IF YOU DID. 475 00:36:50,421 --> 00:36:53,589 - IS HE GONNA DO SOMETHING NEW? - WE'RE WORKING ON IT, MAX. 476 00:36:53,590 --> 00:36:55,425 HE NEEDS TO SING SOMETHING NEW. 477 00:37:21,785 --> 00:37:23,736 � NOT LONG AGO � 478 00:37:23,737 --> 00:37:25,721 � HAD THE WORLD ON LOCK � 479 00:37:25,722 --> 00:37:30,693 � LIVING LIKE I WAS DON JUAN � 480 00:37:30,694 --> 00:37:32,762 � LOVE 'EM AND LEAVE 'EM � 481 00:37:32,763 --> 00:37:35,048 � ALWAYS DECEIVE 'EM � 482 00:37:35,049 --> 00:37:38,484 � I WAS BULLETPROOF, NO VEST ON � 483 00:37:40,121 --> 00:37:43,790 � WHAT A DIFFERENCE A WOMAN CAN MAKE � 484 00:37:43,791 --> 00:37:47,393 � MADE ME SEE WHAT'S REAL AND WHAT'S FAKE � 485 00:37:49,012 --> 00:37:53,082 � WE DID IT ALL, BUT IT WENT TOO FAST � 486 00:37:53,083 --> 00:37:57,187 � NOW I'M OBSESSING ABOUT HER... � 487 00:37:59,006 --> 00:38:01,540 HE PLAYED THIS STUFF FOR MY 16th BIRTHDAY. 488 00:38:01,541 --> 00:38:04,310 (laughs) 489 00:38:04,311 --> 00:38:07,213 I WANT TO HAVE YOU AT MY CRIB TONIGHT. 490 00:38:25,799 --> 00:38:28,735 HEY, WHAT IS CRIB? 491 00:38:28,736 --> 00:38:31,570 IT'S A STUPID WAY OF SAYING HOUSE. 492 00:38:37,077 --> 00:38:41,981 � BOTH RUN OUT OF THINGS TO SAY. � 493 00:38:41,982 --> 00:38:44,984 (applause) 494 00:38:44,985 --> 00:38:47,036 (speaking Russian) 495 00:38:50,057 --> 00:38:52,675 I SAID, "PAPA, CLASSICAL, 496 00:38:52,676 --> 00:38:54,994 EUROPEAN, JAPANESE-- 497 00:38:54,995 --> 00:38:57,480 WHO NEEDS THIS, HUH? NOW IT'S TIME FOR RUSSIA. 498 00:38:57,481 --> 00:38:59,549 RUSSIAN DEVOCHKI MODELS, 499 00:38:59,550 --> 00:39:02,285 RUSSIAN MONEY, RUSSIAN FASHION-- 500 00:39:02,286 --> 00:39:06,021 I THOUGHT WE WERE MEETING WHAT'S-HIS-FUCKING-NAME. 501 00:39:06,022 --> 00:39:08,190 - TORRINO. - YEAH YEAH. 502 00:39:08,191 --> 00:39:10,242 - WHEN IS THAT? - I'LL ORGANIZE IT TOMORROW. 503 00:39:10,243 --> 00:39:11,577 OKAY? 504 00:39:11,578 --> 00:39:13,379 OKAY, COME. 505 00:39:13,380 --> 00:39:15,948 I SHOW YOU MY FATHER'S ART COLLECTION. 506 00:39:15,949 --> 00:39:18,050 VERY FAMOUS, VERY NICE AND BIG, 507 00:39:18,051 --> 00:39:20,386 BEAUTIFUL PAINTINGS. 508 00:39:20,387 --> 00:39:22,822 VERY FAMOUS IN RUSSIA, YOU KNOW? 509 00:39:22,823 --> 00:39:24,757 TONIGHT YOU SLEEP HERE, OKAY? 510 00:39:24,758 --> 00:39:27,960 IF YOU LUCKY YOU SLEEP IN MY BED WITH SILKY SHEETS. 511 00:39:27,961 --> 00:39:29,862 AH, YOU LIKE MY JAGUAR? (growls) 512 00:39:29,863 --> 00:39:31,563 IT'S NICE, HUH? 513 00:39:31,564 --> 00:39:34,584 ANYWAY, THIS IS VERY GOOD-- VERY GOOD PATTERN. 514 00:39:34,585 --> 00:39:36,852 I LIKE IT. GOOD FOR CLOTHING. 515 00:39:36,853 --> 00:39:39,889 THIS, $2 MILLION. 516 00:39:39,890 --> 00:39:42,091 VERY MANY COLORS. 517 00:39:42,092 --> 00:39:44,494 VERY HAPPY. ABSTRACTION. 518 00:39:44,495 --> 00:39:45,995 VERY GOOD. 519 00:39:45,996 --> 00:39:47,763 THIS, DON'T KNOW. 520 00:39:47,764 --> 00:39:49,865 THIS IS MY FAVORITE FAVORITE. 521 00:39:49,866 --> 00:39:54,304 BOTTLE, GUITAR, HAPPY, SINGING, DANCING. 522 00:39:54,305 --> 00:39:57,373 THIS IS "LOVE," "DEATH." 523 00:39:57,374 --> 00:39:59,775 $200,000 EACH. MY DAD GET IT. 524 00:39:59,776 --> 00:40:01,911 I ONLY LIKE "LOVE." IT'S VERY GOOD. 525 00:40:01,912 --> 00:40:04,514 THIS HERE WOMAN, SHE IS HAPPY. 526 00:40:04,515 --> 00:40:07,650 SHE IS DRINKING. THIS-- MY FAVORITE. 527 00:40:07,651 --> 00:40:09,619 BUTT, SOCKS, CAVIAR, 528 00:40:09,620 --> 00:40:11,588 NAKED, UPSIDE DOWN. VERY GOOD. 529 00:40:11,589 --> 00:40:13,556 MY DAD GIVE ALL THIS TO MUSEUM 530 00:40:13,557 --> 00:40:16,225 AND MR. PUTIN LET HIM BACK IN COUNTRY. 531 00:40:17,594 --> 00:40:20,062 THESE ARE ALL DESIGNER CLOTHES. 532 00:40:20,063 --> 00:40:23,282 YOU KNOW HE THINKS HE'S GETTING LUCKY TONIGHT, RIGHT? 533 00:40:24,785 --> 00:40:27,586 IT'S KIND OF LIKE A TWO-FOR- THE-PRICE-OF-ONE THING. 534 00:40:27,587 --> 00:40:29,956 HEY, DON'T RUIN THIS FOR ME. 535 00:40:29,957 --> 00:40:32,241 - WHY, DO YOU LIKE HIM? - NO. 536 00:40:32,242 --> 00:40:34,543 THEN LET'S GO 'CAUSE I'M READY TO LEAVE. 537 00:40:34,544 --> 00:40:37,062 WHERE, HUH? 538 00:40:37,063 --> 00:40:40,132 I WANT TO MEET TORRINO. 539 00:40:40,133 --> 00:40:43,119 WELL, I'M NOT GONNA SLEEP WITH HIM SO YOU CAN GET A JOB INTERVIEW. 540 00:40:43,120 --> 00:40:45,305 ARE YOU? 541 00:40:45,306 --> 00:40:47,173 LANA. 542 00:40:49,526 --> 00:40:52,962 WHAT DO YOU WANT? 543 00:40:52,963 --> 00:40:56,565 BEERS? MandMs? SNICKERS? 544 00:40:56,566 --> 00:40:58,334 I DON'T HAVE ANY COKE, 545 00:40:58,335 --> 00:41:01,353 BUT IF YOU WANT I ORGANIZE IT. 546 00:41:01,354 --> 00:41:03,789 OKAY? ANYTHING YOU WANT. 547 00:41:03,790 --> 00:41:05,775 MY PLEASURE. 548 00:41:07,944 --> 00:41:10,813 OH, I LOVE THIS BED. 549 00:41:10,814 --> 00:41:12,581 LOOK. LOOK AT THIS. 550 00:41:15,285 --> 00:41:17,586 - LOOK. SPINNING, YEAH? - (music playing) 551 00:41:17,587 --> 00:41:19,855 IT'S GOOD, HUH? 552 00:41:19,856 --> 00:41:22,692 JANIE, BABY. JANIE BABY, COME. 553 00:41:22,693 --> 00:41:24,927 - NO THANK YOU. - JANIE, BABY. 554 00:41:24,928 --> 00:41:27,530 - I'M GOOD. - JANIE BABY, COME. 555 00:41:27,531 --> 00:41:29,699 - (music stops) - I LIKE YOU GIRLS, YOU KNOW? 556 00:41:29,700 --> 00:41:32,401 YOU'RE NOT LIKE MY FRIENDS THAT I CAN'T TRUST. 557 00:41:32,402 --> 00:41:36,138 IT'S VERY NICE FOR ME FOR MY SOUL. 558 00:41:36,139 --> 00:41:39,041 SO YOU'RE SAYING WE'RE DIFFERENT THAN EVERY OTHER GIRL? 559 00:41:39,042 --> 00:41:40,843 YEAH, I LIKE YOU. 560 00:41:40,844 --> 00:41:42,812 (music playing) 561 00:41:42,813 --> 00:41:44,947 EDWARD, THE QUESTION IS 562 00:41:44,948 --> 00:41:47,149 HOW MUCH DO YOU LIKE US? 563 00:41:47,150 --> 00:41:49,084 A LOT. 564 00:41:49,085 --> 00:41:51,086 YEAH? DO YOU WANT US TO LIKE YOU? 565 00:41:51,087 --> 00:41:53,289 - OH YEAH. - YEAH? 566 00:41:53,290 --> 00:41:55,691 THEN YOU SHOULD BE A SWEETHEART 567 00:41:55,692 --> 00:41:57,660 AND FUCK OFF. 568 00:41:57,661 --> 00:41:59,328 - (music stops) - (laughs) 569 00:41:59,329 --> 00:42:01,897 OH, YOU FUNNY FUNNY GIRL. 570 00:42:01,898 --> 00:42:04,066 SO FUNNY. 571 00:42:04,067 --> 00:42:06,169 GOOD NIGHT, EDWARD. 572 00:42:10,040 --> 00:42:11,607 HUH. 573 00:42:11,608 --> 00:42:14,210 NO? 574 00:42:16,180 --> 00:42:17,913 YOU HAVE EVERYTHING YOU WANT? 575 00:42:17,914 --> 00:42:20,015 GOOD NIGHT, EDWARD. 576 00:42:20,016 --> 00:42:22,385 OKAY. 577 00:42:22,386 --> 00:42:24,287 FUNNY GIRL. 578 00:42:25,789 --> 00:42:28,791 OKAY, YOU CALL ME IF YOU NEED ANYTHING, YEAH? 579 00:42:28,792 --> 00:42:30,893 NIGHTY NIGHT. 580 00:42:32,929 --> 00:42:35,130 NIGHTY NIGHT. 581 00:42:35,131 --> 00:42:37,065 (laughs) 582 00:42:37,066 --> 00:42:40,269 MAYBE YOU WANT ROBES. 583 00:42:40,270 --> 00:42:43,706 - (music playing) - OR PAJAMAS. 584 00:42:48,028 --> 00:42:51,213 - GIRLS, VERY NICE. - GOOD NIGHT. OKAY. 585 00:42:51,214 --> 00:42:54,283 - SEE YOU IN THE MORNING. - OKAY OKAY. 586 00:42:54,284 --> 00:42:56,285 - (laughing) - UGH. 587 00:42:56,286 --> 00:42:58,220 (speaking mock Russian) 588 00:42:58,221 --> 00:43:00,439 YOU WANT SOME PAJAMAS? WHAT DO YOU LIKE? 589 00:43:00,440 --> 00:43:02,942 I GET FOR YOU. YOU WANT A FUR? 590 00:43:02,943 --> 00:43:04,977 YOU WANT A CAR? I BUY FOR YOU. 591 00:43:04,978 --> 00:43:06,846 ANYTHING YOU WANT. 592 00:43:10,483 --> 00:43:12,384 HE MEANS WELL. 593 00:43:33,974 --> 00:43:36,676 LANA, WHAT ARE YOU DOING? 594 00:43:36,677 --> 00:43:39,044 I TRY TO STOP BED. 595 00:43:39,045 --> 00:43:42,548 FUCK, I'M SO DIZZY. 596 00:43:42,549 --> 00:43:45,117 HOW DOES IT WORK? 597 00:43:45,118 --> 00:43:47,453 - OH MY GOD, THAT'S SO WEIRD. - FUCK. 598 00:43:47,454 --> 00:43:49,389 LANA, THEY'RE WORDS. LOOK. 599 00:43:51,392 --> 00:43:53,626 (man and woman moaning) 600 00:43:53,627 --> 00:43:55,628 (girls gasp) 601 00:43:55,629 --> 00:43:57,296 OH MY GOD. OH MY GOD. 602 00:43:57,297 --> 00:43:59,331 - MAKE IT HIDE. - OH MY GOD. 603 00:43:59,332 --> 00:44:01,834 (laughing) 604 00:44:01,835 --> 00:44:03,335 MAKE IT GO AWAY. MAKE IT GO AWAY. 605 00:44:03,336 --> 00:44:05,905 OKAY OKAY. (laughs) 606 00:44:05,906 --> 00:44:08,875 SO GROSS. UGH. 607 00:44:22,790 --> 00:44:25,491 (whispering) � EVERY NIGHT � 608 00:44:25,492 --> 00:44:28,795 � MY ONLY HOPE IS THE LIGHT � 609 00:44:28,796 --> 00:44:33,766 � THAT'S SHINING FROM INSIDE YOU � 610 00:44:33,767 --> 00:44:36,436 Both: � 'CAUSE YOU BELIEVE � 611 00:44:36,437 --> 00:44:38,805 � IN WHAT WE ARE � 612 00:44:38,806 --> 00:44:40,606 � YOU BELIEVE � 613 00:44:40,607 --> 00:44:43,175 � IN WHAT WE'LL BE � 614 00:44:43,176 --> 00:44:45,478 � GIVE ME STRENGTH � 615 00:44:45,479 --> 00:44:50,349 � SO I CAN STAND BESIDE YOU. � 616 00:44:57,791 --> 00:45:00,025 JANIE, 617 00:45:00,026 --> 00:45:03,128 THIS WAS THE BEST MOMENT 618 00:45:03,129 --> 00:45:05,197 OF MY LIFE. 619 00:45:07,717 --> 00:45:09,718 NO. 620 00:45:09,719 --> 00:45:12,855 LANA, THIS WILL BE THE BEST MOMENT 621 00:45:12,856 --> 00:45:14,690 OF YOUR LIFE. 622 00:45:49,543 --> 00:45:51,644 (giggling) 623 00:46:10,898 --> 00:46:14,099 (whispering, giggling) 624 00:46:15,301 --> 00:46:17,586 (bell tolling) 625 00:46:44,665 --> 00:46:46,499 (grunts) 626 00:47:31,144 --> 00:47:33,395 (beeping) 627 00:47:41,554 --> 00:47:42,854 Uh-huh. 628 00:48:10,433 --> 00:48:12,368 (beeps) 629 00:48:48,788 --> 00:48:51,256 (water running) 630 00:49:47,280 --> 00:49:49,347 (inhales) 631 00:50:19,162 --> 00:50:21,796 (crunching) 632 00:50:46,322 --> 00:50:47,856 SHE WENT OUT. 633 00:50:53,896 --> 00:50:55,264 HAPPY? 634 00:50:57,467 --> 00:50:59,101 GOOD. 635 00:50:59,102 --> 00:51:01,937 (groans) 636 00:51:14,250 --> 00:51:17,268 THESE THINGS ARE NOT FOR FREE. 637 00:51:22,208 --> 00:51:23,441 (scoffs) 638 00:51:30,817 --> 00:51:32,951 THIS IS YOUR WAY OUT. 639 00:51:35,838 --> 00:51:39,058 YOU'RE NOT GOING TO HAVE ANOTHER CHANCE LIKE THIS. 640 00:51:46,465 --> 00:51:49,101 WHAT DOES THIS-- WHAT DOES THIS MEAN? 641 00:51:59,162 --> 00:52:01,029 (sighs) 642 00:52:02,698 --> 00:52:04,499 OKAY. 643 00:52:10,039 --> 00:52:12,407 PICK A DRESS. 644 00:52:26,339 --> 00:52:28,607 SO TORRINO ONLY SPEAKS ENGLISH. 645 00:52:28,608 --> 00:52:30,809 OKAY? 646 00:52:30,810 --> 00:52:32,294 RELAX, HUH? 647 00:52:32,295 --> 00:52:33,996 HE'S JUST PHOTOGRAPHER. 648 00:52:36,333 --> 00:52:39,284 - YOU LIKE MY CAR? - DA. 649 00:52:39,285 --> 00:52:40,452 YEAH, IT'S GOOD. 650 00:52:48,378 --> 00:52:50,145 PUT ARMS UP. PUT ARMS UP. 651 00:52:50,146 --> 00:52:51,813 OH, JESUS CHRIST. OKAY. 652 00:52:51,814 --> 00:52:53,449 HELPLESS HELPLESS HELPLESS HELPLESS. 653 00:52:53,450 --> 00:52:55,834 GOOD GOOD GOOD GOOD. YOU GOT A BOOK? 654 00:52:55,835 --> 00:52:58,937 OKAY, OPEN YOUR MOUTH. I SAID DO YOU HAVE A BOOK? 655 00:53:00,640 --> 00:53:04,242 YEAH, A BOOK. A BOOK WITH HEADSHOTS IN IT. 656 00:53:04,243 --> 00:53:06,395 JESUS CHRIST. ALL RIGHT, OPEN YOUR MOUTH. 657 00:53:06,396 --> 00:53:08,397 I DON'T HAVE MONEY FOR BOOK. 658 00:53:08,398 --> 00:53:10,798 OH MY GOD. WE'VE GOT A LITTLE SOB STORY GOING. 659 00:53:10,799 --> 00:53:12,534 ALL RIGHT, GOOD. GOT IT. ALL RIGHT. 660 00:53:12,535 --> 00:53:15,303 LET ME SEE YOU WALK. WALK. WALK WALK WALK. 661 00:53:15,304 --> 00:53:16,972 RIGHT OVER THERE, GO. 662 00:53:16,973 --> 00:53:20,441 STAND UP THERE. SPIN HER! 663 00:53:20,442 --> 00:53:23,178 CAN I SEE RIGHT AT THE END WHERE SHE LOOKED RIGHT AT ME? 664 00:53:23,179 --> 00:53:25,130 - FUCKING BRILLIANT. - THAT ONE IS GOOD. 665 00:53:27,183 --> 00:53:28,583 DON'T THINK WITH YOUR DICK, OKAY? 666 00:53:28,584 --> 00:53:30,468 THIS IS IMPORTANT STUFF AND THAT'S JUST SLUTTY. 667 00:53:30,469 --> 00:53:32,638 - OKAY OKAY. - UH, HEY. 668 00:53:32,639 --> 00:53:34,974 WHAT HAVE YOU GOT THAT'S SPECIAL? 669 00:53:34,975 --> 00:53:38,526 I WON A BEAUTY COMPETITION ONCE. 670 00:53:38,527 --> 00:53:40,846 - YEAH? WHERE? WHERE DID YOU WIN IT? - IN GORSK. 671 00:53:40,847 --> 00:53:42,314 - IN WHAT? - GORSK. 672 00:53:42,315 --> 00:53:45,367 GORSK? HOW MANY PEOPLE LIVE IN GORSK? 12? 673 00:53:45,368 --> 00:53:47,469 - 14. - OKAY, STOP SPINNING HER. 674 00:53:47,470 --> 00:53:50,288 LET ME ASK YOU SOMETHING. WHAT HAVE YOU GOT THAT'S DIFFERENT? 675 00:53:50,289 --> 00:53:52,975 THAT IS UNLIKE ANYBODY ELSE IN THIS ROOM? 676 00:53:52,976 --> 00:53:56,678 EVERY MODEL HAS TO HAVE SOMETHING THAT IS UNIQUE TO HER. 677 00:53:56,679 --> 00:53:59,264 WHAT HAVE YOU GOT? NO, I'M NOT GOING HUNTING. 678 00:53:59,265 --> 00:54:01,233 I DON'T WANT A DEER IN THE HEADLIGHTS. I WANT SOME FOCUS. 679 00:54:01,234 --> 00:54:03,568 LET SOME FIRE OUT OF YOUR EYES. LET THE FUCKING THING-- 680 00:54:03,569 --> 00:54:05,437 DROP IT. DROP IT. 681 00:54:05,438 --> 00:54:08,072 WHAT'S DIFFERENT ABOUT YOU? DO YOU LOOK IN THE MIRROR SOMETIMES? 682 00:54:08,073 --> 00:54:10,209 YOU GOT NICE EYES. YOU GOT CUTE HAIR. 683 00:54:10,210 --> 00:54:12,210 EVERY GIRL IN RUSSIA HAS THAT. TURN AROUND. 684 00:54:12,211 --> 00:54:14,113 TURN AROUND. FACE THAT WAY. 685 00:54:14,114 --> 00:54:17,116 FACT THAT WAY, OKAY? LOOK, HOLD YOUR DRESS. 686 00:54:17,117 --> 00:54:19,618 LET ME SEE YOUR ASS. LET ME SEE YOUR ASS. TIGHT. 687 00:54:19,619 --> 00:54:21,120 FACE THAT WAY. YOU KNOW WHAT? 688 00:54:21,121 --> 00:54:23,122 WHAT AM I SUPPOSED TO DO WITH THIS ASS? 689 00:54:23,123 --> 00:54:26,407 - SHOW WIDESCREEN MOVIES? I MEAN FOR FUCK'S SAKE. - (laughing) 690 00:54:26,408 --> 00:54:28,409 THAT'S NOT AN ASS. THAT'S A CONTINENT 691 00:54:28,410 --> 00:54:30,645 AND I AM NOT A SATELLITE PHOTOGRAPHER. 692 00:54:30,646 --> 00:54:32,680 ALL RIGHT, ALL RIGHT. HEY HEY. 693 00:54:32,681 --> 00:54:35,534 JUST KEEP IT DOWN. IT REALLY WASN'T THAT FUNNY. DON'T BE SYCOPHANTIC. 694 00:54:35,535 --> 00:54:38,820 I WILL FIND MONEY. I WILL GET A BOOK. 695 00:54:41,357 --> 00:54:44,292 (whispering) 696 00:54:44,293 --> 00:54:46,361 DO YOU WANT TO MAKE HER A STAR? 697 00:54:49,432 --> 00:54:51,683 ALL RIGHT, YOU KNOW WHAT? I DON'T-- I DON'T-- 698 00:54:51,684 --> 00:54:54,052 I'M GONNA START OVER BECAUSE I LIKED HER LIPS DARKER. 699 00:54:54,053 --> 00:54:56,004 COME HERE. COME HERE. COME HERE. 700 00:54:56,005 --> 00:54:58,240 COME HERE. 701 00:55:01,794 --> 00:55:03,244 YOU NEED TO HAVE A PLAN B. 702 00:55:03,245 --> 00:55:05,580 YOU UNDERSTAND WHAT THAT MEANS? 703 00:55:05,581 --> 00:55:09,434 BECAUSE PLAN A, THIS, IS A NYET NYET. 704 00:55:09,435 --> 00:55:11,419 DON'T LOOK AT HIM. 705 00:55:11,420 --> 00:55:14,272 THERE'S NOTHING GOING ON. BYE BYE. 706 00:55:14,273 --> 00:55:17,109 - WHAT A ZERO. - TSK. 707 00:55:17,110 --> 00:55:19,377 ALL RIGHT, LET'S GET THESE GUYS BACK. 708 00:55:19,378 --> 00:55:21,647 ALL YOU LITTLE PIED-EYES, OVER HERE, COME ON. 709 00:55:21,648 --> 00:55:23,749 GET SOME ATTITUDE. GET UP ON THE CHAIR AND YOU COME DOWN. 710 00:55:29,672 --> 00:55:32,040 SHIT. I'VE GOT TO GO. 711 00:55:32,041 --> 00:55:34,193 TELL VANYA I'LL BE BACK. 712 00:56:08,227 --> 00:56:10,178 DO YOU WANT TO BE A MODEL TOO? 713 00:56:10,179 --> 00:56:11,864 NO. 714 00:56:11,865 --> 00:56:14,099 THEN YOU'RE HERE TO BORROW MONEY. 715 00:56:15,835 --> 00:56:17,702 WHAT DO YOU MEAN? 716 00:56:17,703 --> 00:56:20,505 WHY ELSE DOES ANYONE COME TO EDWARD? 717 00:56:20,506 --> 00:56:24,042 HE'S GOING TO INVEST IN SINGLE FOR ME. 718 00:56:24,043 --> 00:56:25,544 REALLY? 719 00:56:25,545 --> 00:56:27,579 NO. 720 00:56:27,580 --> 00:56:28,981 PROBABLY NOT. 721 00:56:30,400 --> 00:56:32,734 I JUST NEED LITTLE MONEY FOR SINGLE. 722 00:56:32,735 --> 00:56:34,770 IT'S GOING TO BE BIG, YOU KNOW, BUT-- 723 00:56:41,226 --> 00:56:43,278 LANA. LANA! 724 00:56:44,580 --> 00:56:47,382 - LANA, WHERE WERE YOU? - I SAW TORRINO. 725 00:56:47,383 --> 00:56:48,917 EDWARD TOOK ME. 726 00:56:48,918 --> 00:56:50,818 I WOKE UP, YOU WERE GONE AND HE WAS HERE. 727 00:56:52,955 --> 00:56:54,672 WHAT HAPPENED? 728 00:56:54,673 --> 00:56:57,042 (speaks Russian) 729 00:56:57,043 --> 00:56:59,311 I ASKED YOU A QUESTION. 730 00:56:59,312 --> 00:57:01,313 WHAT HAPPENED? 731 00:57:01,314 --> 00:57:03,799 GROWN-UPS DON'T PUT OUT BEFORE GETTING WHAT THEY WANT. 732 00:57:06,735 --> 00:57:09,871 � TRUST � 733 00:57:09,872 --> 00:57:14,376 - � IN ME... � - LANA. 734 00:57:14,377 --> 00:57:16,911 � SHE SAID... � 735 00:57:16,912 --> 00:57:19,147 LANA. 736 00:57:19,148 --> 00:57:22,500 � SHE SAID... � 737 00:57:22,501 --> 00:57:25,287 OH, LANA, JANIE. LANA. 738 00:57:25,288 --> 00:57:28,556 - � LUST... � - WHERE ARE YOU GOING? 739 00:57:28,557 --> 00:57:31,993 � OVER ME � 740 00:57:33,129 --> 00:57:36,848 � SHE HAD ME ON... � 741 00:57:36,849 --> 00:57:40,218 Torrino's voice: YOU NEED TO HAVE A PLAN B. 742 00:57:40,219 --> 00:57:43,588 THERE'S NOTHING GOING ON. BYE BYE. 743 00:57:43,589 --> 00:57:46,024 WHAT A ZERO. 744 00:57:46,025 --> 00:57:49,327 Marina's voice: GROWN-UPS DON'T PUT OUT BEFORE GETTING WHAT THEY WANT. 745 00:57:59,255 --> 00:58:02,023 SO, LIKE I SAID, BIG MESS BUT, 746 00:58:02,024 --> 00:58:04,692 YOU GIRLS, YOU TAKE BEDROOM, YES? 747 00:58:04,693 --> 00:58:07,695 AND I SLEEP HERE, YES? 748 00:58:07,696 --> 00:58:09,831 LIKE FAMILY. BIG FAMILY. 749 00:58:09,832 --> 00:58:11,699 I'M GOING OUT FOR FOOD. 750 00:58:11,700 --> 00:58:14,636 YES, KEYS ON TABLE. 751 00:58:29,452 --> 00:58:31,286 I'M GOING TO MAKE PHONE CALL. 752 00:58:36,125 --> 00:58:38,376 (phone chiming) 753 00:58:50,506 --> 00:58:52,340 (groans) 754 00:59:00,033 --> 00:59:02,100 (beeping) 755 00:59:04,503 --> 00:59:06,454 SHIT! 756 00:59:12,428 --> 00:59:15,330 IAN, I KNOW. THIS IS WHY I PAY YOU, OKAY? 757 00:59:15,331 --> 00:59:18,066 YOU WORRY FOR ME. IT'S WHY I PAY YOU. 758 00:59:19,701 --> 00:59:21,386 OKAY, CALL ME BACK. GOODBYE. 759 00:59:21,387 --> 00:59:23,989 - (speaks Russian) - SORRY. 760 00:59:23,990 --> 00:59:27,225 - IT'S OKAY. - I THOUGHT YOU WERE DONE. 761 00:59:46,245 --> 00:59:48,313 ...ON TOP. 762 00:59:58,958 --> 01:00:01,242 Dima: Hey, Ian, guess what. 763 01:00:01,243 --> 01:00:03,611 Lana knows somebody who can put money into group. 764 01:00:03,612 --> 01:00:05,646 WHAT, THEY'VE GOT MONEY IN THE SMALL TOWNS? 765 01:00:05,647 --> 01:00:07,848 FUCKING CHEEKY BASTARDS. 766 01:00:07,849 --> 01:00:09,400 SHE ARRANGED MEETING 767 01:00:09,401 --> 01:00:11,770 SO WE GIVE HER MONEY FOR HER PHOTO BOOK. 768 01:00:13,205 --> 01:00:14,940 A FINDERS' FEE? YOU'RE FUCKING MAD. 769 01:00:14,941 --> 01:00:16,474 IT'S COMING OUT OF YOUR END. 770 01:00:16,475 --> 01:00:18,210 Look, you want to make single, yes? 771 01:00:18,211 --> 01:00:19,845 - YEAH. RIGHT. - Okay. 772 01:00:19,846 --> 01:00:21,612 OKAY, AND HOW DOES SHE KNOW THIS FELLA? 773 01:00:21,613 --> 01:00:25,050 - She knows his son. - FAIR ENOUGH. 774 01:00:25,051 --> 01:00:27,752 RIGHT, OKAY. WELL DONE. 775 01:00:27,753 --> 01:00:31,022 GIVE ME A CALL WHEN YOU FIND OUT THE TIME. 776 01:00:31,023 --> 01:00:33,624 - Okay. - YES, BYE BYE. FUCKING MONGREL. 777 01:00:38,914 --> 01:00:40,515 HELLO, JANIE. 778 01:00:40,516 --> 01:00:43,084 - HEY, DID YOU GET FOOD? - NO. 779 01:00:46,555 --> 01:00:48,590 I FOUND WAY TO GET MONEY FOR BOOK. 780 01:00:48,591 --> 01:00:50,659 REALLY? COOL. CAN I SMOKE IN HERE? 781 01:00:50,660 --> 01:00:53,795 WHAT ARE YOU SMOKING? MAYBE A LITTLE SOME FOR ME? 782 01:00:53,796 --> 01:00:55,297 YES? NO? 783 01:00:58,434 --> 01:01:01,503 FUCKING STEPMONSTER CANCELED THE CREDIT CARD. 784 01:01:01,504 --> 01:01:03,487 I THOUGHT YOU TALKED TO YOUR STEPMOM. 785 01:01:03,488 --> 01:01:06,157 NO, LANA. WHY WOULD I TALK TO MY STEPMOM? 786 01:01:06,158 --> 01:01:07,942 SHE KICKED US OUT. 787 01:01:07,943 --> 01:01:11,062 IT'S OKAY. I HAVE A LITTLE MONEY. 788 01:01:25,077 --> 01:01:27,145 WHY YOU ACT SO STRANGE? 789 01:01:27,146 --> 01:01:29,447 - I'M NOT. I'M FINE. - HEY, LOOK AT ME. 790 01:01:29,448 --> 01:01:31,048 WHAT? 791 01:01:31,049 --> 01:01:33,818 THIS PLACE IS WAY TOO FUCKING SMALL. I NEED SOME FRESH AIR. 792 01:01:33,819 --> 01:01:36,287 YOU WANT TO GO TO VANYA'S. 793 01:01:36,288 --> 01:01:38,156 I KNOW HE GIVE YOU DRUGS. 794 01:01:38,157 --> 01:01:39,524 WHAT ARE YOU TALKING ABOUT? 795 01:01:41,026 --> 01:01:42,860 - GIVE ME MY MONEY. - NO. 796 01:01:42,861 --> 01:01:45,563 IF YOU SPEND THAT MONEY ON DRUGS, WE ARE FUCKED. 797 01:01:45,564 --> 01:01:47,965 NO, LANA, YOU'RE FUCKED. 798 01:01:47,966 --> 01:01:50,084 ISN'T THAT WHAT THIS IS ABOUT? 799 01:01:50,085 --> 01:01:52,219 POOR LITTLE LANA WANTS TO BE RICH SO BAD 800 01:01:52,220 --> 01:01:54,756 SHE'LL FUCK SOME IDIOT JUST BECAUSE HE HAS A BIG PENTHOUSE. 801 01:01:54,757 --> 01:01:56,424 AT LEAST I'M NOT DRUG ADDICT. 802 01:01:56,425 --> 01:01:58,359 NO, YOU'RE A SLUT. 803 01:01:58,360 --> 01:02:01,128 LAST NIGHT WAS A JOKE. 804 01:02:01,129 --> 01:02:04,616 IT MEANT NOTHING TO ME BECAUSE YOU'RE NOT REAL. 805 01:02:04,617 --> 01:02:07,686 NOTHING ABOUT YOU, LANA, IS REAL. 806 01:02:10,172 --> 01:02:12,206 OH, AND YOU WANT TO BE A MODEL? 807 01:02:12,207 --> 01:02:14,241 NOBODY ACTUALLY WANTS TO BE A MODEL, LANA. 808 01:02:14,242 --> 01:02:15,710 DO YOU KNOW HOW STUPID YOU SOUND? 809 01:02:19,681 --> 01:02:22,583 (door opens, shuts) 810 01:02:29,508 --> 01:02:31,443 HEY HEY HEY HEY. 811 01:02:46,192 --> 01:02:51,229 � I ONLY NEED WHAT I DON'T WANT � 812 01:03:02,574 --> 01:03:07,712 � I ONLY WANT WHAT I CAN'T HAVE � 813 01:03:10,482 --> 01:03:14,035 � I ONLY WANT WHAT I CAN'T HAVE. � 814 01:03:14,036 --> 01:03:15,903 LANA? 815 01:03:17,272 --> 01:03:19,741 (Lana moaning) 816 01:03:36,125 --> 01:03:39,227 YOU'RE NOT REAL! 817 01:03:39,228 --> 01:03:40,595 (elevator dings) 818 01:03:56,528 --> 01:03:58,730 (crying) 819 01:04:25,390 --> 01:04:27,391 - WHERE'S VANYA? - IN HIS ROOM. 820 01:04:27,392 --> 01:04:28,927 OKAY. 821 01:04:48,781 --> 01:04:51,349 (crying) 822 01:04:55,254 --> 01:04:56,988 � AND THE CLOCK ON THE WALL � 823 01:04:56,989 --> 01:05:01,693 � IS TICKING NOW FOR ME � 824 01:05:01,694 --> 01:05:06,381 � EVERY SECOND PASSES FOR THE WORLD TO SEE � 825 01:05:08,250 --> 01:05:11,819 � NOTHING MUCH IS HAPPENING HERE � 826 01:05:11,820 --> 01:05:14,488 � NOTHING NEW TO TELL � 827 01:05:14,489 --> 01:05:18,676 � BUT WE KNOW THERE'S SOMETHING BETTER FOR US... � 828 01:05:18,677 --> 01:05:20,879 (whirring) 829 01:05:20,880 --> 01:05:22,696 (explosion) 830 01:05:22,697 --> 01:05:25,049 � LET'S GO � 831 01:05:25,050 --> 01:05:29,103 � FOLLOW THEM HOME � 832 01:05:29,104 --> 01:05:31,639 � THEY KNOW � 833 01:05:31,640 --> 01:05:35,643 � SOMETHING THAT WE DON'T � 834 01:05:35,644 --> 01:05:38,295 � LET'S GO � 835 01:05:38,296 --> 01:05:40,965 � FOLLOW THEM HOME � 836 01:05:40,966 --> 01:05:44,669 � AND WE'LL LOOK INTO THEIR WINDOW � 837 01:05:44,670 --> 01:05:49,340 � AND FIND OUT WHAT WE NEED TO KNOW � 838 01:05:49,341 --> 01:05:52,226 � WHAT WE NEED TO KNOW. � 839 01:05:59,218 --> 01:06:00,518 HMM? 840 01:06:13,849 --> 01:06:16,934 � NO LIES TO DENY � 841 01:06:16,935 --> 01:06:19,604 � TOO HOPELESS TO CARE � 842 01:06:19,605 --> 01:06:23,508 � WE'RE TOO SCARED TO CRY. � 843 01:06:28,897 --> 01:06:32,483 Lana: AND WHEN WE CRY FOR HELP 844 01:06:34,486 --> 01:06:37,555 NO ONE WILL BREAK OUR SPELL. 845 01:06:37,556 --> 01:06:39,924 - SAY THAT AGAIN. - WHAT? 846 01:06:39,925 --> 01:06:41,960 WHAT YOU JUST SAID. THAT'S QUALITY, THAT IS. 847 01:06:41,961 --> 01:06:43,728 IS THAT WHAT YOU WRITE DOWN IN YOUR LITTLE BOOK? 848 01:06:45,848 --> 01:06:48,516 CAN I READ IT? 849 01:06:48,517 --> 01:06:50,368 COME ON, DON'T BE LIKE THAT, LOVE. 850 01:06:50,369 --> 01:06:52,253 FINDING TALENT IS WHAT I DO. 851 01:06:52,254 --> 01:06:54,021 COME ON. 852 01:07:03,348 --> 01:07:05,566 - (train whistle blows) - OH, WE CHANGE HERE. 853 01:07:15,961 --> 01:07:18,162 � 'CAUSE YOU BELIEVE � 854 01:07:18,163 --> 01:07:21,198 � IN WHAT WE ARE � 855 01:07:21,199 --> 01:07:23,685 � YOU BELIEVE... � 856 01:07:28,574 --> 01:07:30,308 (gasps) 857 01:07:30,309 --> 01:07:32,210 (panting) 858 01:07:32,211 --> 01:07:34,445 WHAT'S HAPPENED? 859 01:07:34,446 --> 01:07:36,514 DON'T WORRY. 860 01:07:36,515 --> 01:07:38,799 (train whistle blowing) 861 01:08:04,643 --> 01:08:06,243 WHY ARE WE STOPPING HERE? 862 01:08:06,244 --> 01:08:10,031 BECAUSE MAN WHO GIVE US MONEY HAS DACHA. SO WE GO. 863 01:08:13,485 --> 01:08:15,920 WHO'S THE TWAT WITH THE FLOWERS AND THE DODGY HAIRCUT? 864 01:08:15,921 --> 01:08:17,939 HE IS VADIM. 865 01:08:17,940 --> 01:08:20,174 SON OF MAN WHO STOPPED TRAIN. 866 01:08:20,175 --> 01:08:22,594 OH RIGHT. FINE LOOKING YOUNG MAN. HELLO, VADIM. 867 01:08:24,329 --> 01:08:26,364 YEAH, WE'RE COMING OUT. 868 01:08:35,407 --> 01:08:37,675 LANA, YOUR EYES ARE-- 869 01:08:37,676 --> 01:08:40,945 OH, VADIM, THEY'RE BEAUTIFUL. OH, YOU SHOULDN'T HAVE. 870 01:09:00,816 --> 01:09:02,583 - HELLO HELLO. - HELLO. 871 01:09:04,753 --> 01:09:06,988 AH, BEAUTIFUL BEAUTIFUL. BEAUTIFUL BEAUTIFUL, DA. 872 01:09:06,989 --> 01:09:08,388 THANK YOU. 873 01:09:10,342 --> 01:09:12,293 OKAY, MATE. 874 01:09:12,294 --> 01:09:14,128 OH, OKAY. 875 01:09:14,129 --> 01:09:16,397 - COME HERE, LANA. - TWO BIG MEN FOR THE NEWSPAPER. 876 01:09:16,398 --> 01:09:17,531 - OKAY, SMILE. - YES. 877 01:09:19,234 --> 01:09:21,702 WELCOME TO RUSSIA. (laughs) 878 01:09:23,838 --> 01:09:26,274 MY DEAR GUESTS, GOOD LUCK 879 01:09:26,275 --> 01:09:28,810 AND NICE TO MEET YOU. 880 01:09:35,167 --> 01:09:38,502 IT'S A BEAUTIFUL BOAT. WHAT EXACTLY IS IT YOU DO? 881 01:09:38,503 --> 01:09:41,055 AH, PROPERTY. 882 01:09:41,056 --> 01:09:43,391 (laughs) 883 01:09:43,392 --> 01:09:45,443 I GIVE YOU MONEY NO PROBLEM. 884 01:09:45,444 --> 01:09:47,979 CASH IN A SUITCASE. 885 01:09:47,980 --> 01:09:50,497 - (laughs) - IN A SUITCASE. 886 01:09:52,201 --> 01:09:56,687 AND VADIM WILL BE IN GROUP. 887 01:09:58,674 --> 01:10:00,974 OF COURSE. YEAH, OF COURSE. 888 01:10:00,975 --> 01:10:02,994 UH, GREAT LOOKING KID, YOUR VADIM. 889 01:10:02,995 --> 01:10:05,395 I MEAN RULE NUMBER ONE: HE'S GOT TO IMPRESS THE LADIES. 890 01:10:11,537 --> 01:10:13,604 MY GUESTS, 891 01:10:13,605 --> 01:10:15,473 MY FRIENDS... 892 01:10:15,474 --> 01:10:17,608 (belches) 893 01:10:21,079 --> 01:10:23,180 (all laugh) 894 01:10:23,181 --> 01:10:25,082 IT'S OKAY. 895 01:10:25,083 --> 01:10:28,135 IN HONOR OF MY BEAUTIFUL BOY VADIM... 896 01:10:28,136 --> 01:10:31,155 (applause) 897 01:10:31,156 --> 01:10:32,940 THE NEXT PUFF DADDY... 898 01:10:32,941 --> 01:10:36,143 (laughs) PLEASE. PUFF DADDY. 899 01:10:36,144 --> 01:10:39,130 AND BEAUTIFUL LANA GIRLFRIEND. 900 01:10:42,150 --> 01:10:43,985 TO VADIM. 901 01:10:54,062 --> 01:10:57,615 VADIM SING. VADIM SING FOR ME. 902 01:11:01,970 --> 01:11:04,355 (rock music playing) 903 01:11:12,998 --> 01:11:17,985 (off-key) � YOU ARE SO BEAUTIFUL � 904 01:11:17,986 --> 01:11:21,238 � TO ME � 905 01:11:22,624 --> 01:11:26,810 � YOU ARE SO BEAUTIFUL � 906 01:11:26,811 --> 01:11:28,579 � TO ME � 907 01:11:28,580 --> 01:11:31,098 - � CAN'T YOU SEE? � - MY BEAUTIFUL SON. 908 01:11:33,018 --> 01:11:34,802 � EVERYTHING I'VE HOPED FOR... � 909 01:11:34,803 --> 01:11:37,755 EVERY GIRL IN OUR TOWN 910 01:11:37,756 --> 01:11:40,625 WANT TO FUCK HIM. (laughs) 911 01:11:40,626 --> 01:11:42,226 YOU LIKE? 912 01:11:42,227 --> 01:11:44,896 � YOU ARE SO BEAUTIFUL � 913 01:11:44,897 --> 01:11:46,898 � TO ME... � 914 01:11:46,899 --> 01:11:49,466 - IT'S CRAP. - SHUT THE FUCK UP. 915 01:11:49,467 --> 01:11:52,019 - BUT IT'S CRAP. - WHAT'S CRAP? WHAT DID YOU SAY? 916 01:11:52,020 --> 01:11:55,072 WHAT DID I SAY? 917 01:11:55,073 --> 01:11:57,341 SORRY, I SAID IT'S CRAP. 918 01:11:57,342 --> 01:11:59,743 - I'M SORRY, HE'S COMPLETELY CRAP. - Dima: SHUT THE FUCK UP. 919 01:12:03,115 --> 01:12:05,282 IAN, COME HERE. I SAID YOU DON'T KNOW WHAT YOU MEAN. 920 01:12:05,283 --> 01:12:07,251 - SIT DOWN. - I FUCKING DO MEAN IT. 921 01:12:07,252 --> 01:12:10,220 I FUCKING DISCOVERED THE MONDAYS, DARLING. FUCK OFF. 922 01:12:12,708 --> 01:12:14,675 IT SOUNDS LIKE, I DON'T KNOW, 923 01:12:14,676 --> 01:12:17,445 TWO CATS FUCKING IN A BLACK BIN BAG, DARLING. 924 01:12:20,415 --> 01:12:22,182 � TO ME. � 925 01:13:31,336 --> 01:13:33,570 (glass shatters) 926 01:13:33,571 --> 01:13:35,222 (muffled yelling) 927 01:15:14,806 --> 01:15:16,574 WHAT'S UP? 928 01:15:16,575 --> 01:15:19,810 I'VE LOST EVERYONE, 929 01:15:19,811 --> 01:15:21,979 HAVEN'T I? 930 01:15:21,980 --> 01:15:24,148 WHAT DO YOU NEED THEM FOR? 931 01:15:24,149 --> 01:15:27,118 YOU HAVE NOW BETTER FRIENDS. 932 01:15:30,138 --> 01:15:31,705 WHY DO YOU DO THIS? 933 01:15:33,275 --> 01:15:35,359 WHY DO YOU? 934 01:15:57,232 --> 01:16:00,351 � TRUST � 935 01:16:00,352 --> 01:16:03,721 � IN ME � 936 01:16:05,524 --> 01:16:08,258 � SHE SAID � 937 01:16:10,395 --> 01:16:12,846 � SHE SAID � 938 01:16:15,950 --> 01:16:19,453 � LUST � 939 01:16:19,454 --> 01:16:22,289 � OVER ME � 940 01:16:23,624 --> 01:16:27,060 � SHE HAD ME ON � 941 01:16:27,061 --> 01:16:31,331 � HANG ON EVERY BREATH SHE BREATHED... � 942 01:16:51,286 --> 01:16:54,955 � HANGING ON THE END OF HER LINE... � 943 01:16:57,042 --> 01:16:59,509 MOM? 944 01:17:02,413 --> 01:17:04,748 MOM? 945 01:17:07,285 --> 01:17:11,055 � AND SHE TURNED IT � 946 01:17:11,056 --> 01:17:14,675 � AGAINST ME... � 947 01:17:17,245 --> 01:17:19,813 (knocking at door) 948 01:17:30,675 --> 01:17:33,810 - LANA STARKOVA? - (thunder rumbles) 949 01:17:44,956 --> 01:17:46,957 (horn honks) 950 01:17:46,958 --> 01:17:49,293 Vadim: LANA. 951 01:17:51,296 --> 01:17:53,330 (thunder rumbles) 952 01:17:55,000 --> 01:17:57,735 YOU'RE FUCKING FIRED BECAUSE I'VE FINISHED WITH YOU. 953 01:17:57,736 --> 01:17:59,620 OKAY, FINE. MY FUCKING EARS ARE HURTING. 954 01:17:59,621 --> 01:18:01,755 MY EARS ARE HURTING, MY HEAD IS HURTING, YEAH? 955 01:18:01,756 --> 01:18:03,823 EXCUSE ME, LOVE. YOU GOT ANY ASPIRIN? 956 01:18:03,824 --> 01:18:06,092 ANY ASPIRIN, LOVE? 957 01:18:06,093 --> 01:18:08,495 OY, LISTEN YOU. RIGHT, LISTEN. 958 01:18:08,496 --> 01:18:11,365 HEY, I'VE BEEN THROUGH SHIT LIKE THIS 1,000 TIMES. 959 01:18:11,366 --> 01:18:12,966 THIS AIN'T OVER YET. 960 01:18:12,967 --> 01:18:15,669 FROM HERE ON IN THINGS CAN ONLY GET BETTER. 961 01:18:15,670 --> 01:18:19,105 DIMA, LOOK AT ME. LOOK AT ME. 962 01:18:19,106 --> 01:18:22,142 WHEN HAVE I EVER LET YOU DOWN? 963 01:18:23,811 --> 01:18:25,646 NEVER. 964 01:18:25,647 --> 01:18:28,582 THAT'S RIGHT. I HAVE NEVER LET YOU DOWN. 965 01:18:28,583 --> 01:18:31,418 I'VE NEVER EVER LET YOU DOWN. 966 01:18:38,626 --> 01:18:40,527 (groans) FUCK. 967 01:18:40,528 --> 01:18:42,562 (mumbles) 968 01:18:45,967 --> 01:18:47,868 (groans) 969 01:19:07,055 --> 01:19:10,373 � 'CAUSE YOU BELIEVE IN WHAT WE ARE � 970 01:19:10,374 --> 01:19:12,876 � YOU BELIEVE IN WHAT WE'LL BE... � 971 01:19:12,877 --> 01:19:15,379 IT'S FUCKING MAGIC. 972 01:19:15,380 --> 01:19:18,549 � SHOW ME LOVE, GIVE... � 973 01:19:18,550 --> 01:19:21,151 - (phone rings) - (echoes) HELLO. 974 01:19:26,524 --> 01:19:29,426 � THERE'S NO WAY TO TURN AROUND � 975 01:19:29,427 --> 01:19:31,861 - (phone rings) - (echoes) HELLO. 976 01:19:40,172 --> 01:19:43,123 � SHOW ME LOVE, SHOW ME LOVE � 977 01:19:43,124 --> 01:19:45,759 � GIVE ME ALL THAT I WANT � 978 01:19:45,760 --> 01:19:48,495 � SHOW ME LOVE, SHOW ME LOVE � 979 01:19:48,496 --> 01:19:51,081 � GIVE ME ALL THAT I WANT � 980 01:19:51,082 --> 01:19:53,751 � SHOW ME LOVE, SHOW ME LOVE � 981 01:19:53,752 --> 01:19:56,353 � GIVE ME ALL THAT I WANT � 982 01:19:56,354 --> 01:19:59,122 � SHOW ME LOVE, SHOW ME LOVE � 983 01:19:59,123 --> 01:20:01,742 � GIVE ME ALL THAT I WANT � 984 01:20:01,743 --> 01:20:04,377 � SHOW ME LOVE, SHOW ME LOVE � 985 01:20:04,378 --> 01:20:07,614 � TILL I'M SCREAMING FOR MORE. � 986 01:20:55,380 --> 01:20:57,314 (buzzer sounds) 987 01:21:20,738 --> 01:21:22,856 (women laughing) 988 01:21:29,430 --> 01:21:31,348 (piano playing) 989 01:21:47,215 --> 01:21:49,599 (knuckles crack) 990 01:21:49,600 --> 01:21:51,501 (dialing) 991 01:21:55,923 --> 01:21:58,192 MAX, IT'S IAN. 992 01:22:14,108 --> 01:22:16,827 YOU'RE GOING TO BE VERY EXCITED WHEN YOU HEAR THIS, MAX. 993 01:22:16,828 --> 01:22:19,012 WE'RE REALLY ONTO SOMETHING DIFFERENT HERE. 994 01:22:19,013 --> 01:22:22,549 MUSIC REFLECTS THE WORLD AROUND US, DOESN'T IT, MAX? 995 01:22:22,550 --> 01:22:24,852 I MEAN YOU REMEMBER WHEN THE WALL CAME DOWN. 996 01:22:24,853 --> 01:22:27,487 IT WAS BRUCE SPRINGSTEEN AND DAVID HASSELHOFF 997 01:22:27,488 --> 01:22:29,422 AND SO ON AND SO FORTH AND SUCH LIKE. 998 01:22:29,423 --> 01:22:31,524 IT WAS SEX, DRUGS AND ROCK AND ROLL, WASN'T IT? 999 01:22:31,525 --> 01:22:33,093 I MEAN WE LOVED IT, DIDN'T WE? 1000 01:22:33,094 --> 01:22:35,879 � Every night we're all alone � 1001 01:22:35,880 --> 01:22:39,749 � Every night, my only hope is the light � 1002 01:22:39,750 --> 01:22:43,887 � That's shining from inside you � 1003 01:22:43,888 --> 01:22:46,790 � 'Cause you believe in what what we are � 1004 01:22:46,791 --> 01:22:49,526 � You believe in what we'll be � 1005 01:22:49,527 --> 01:22:51,111 � Give me strength � 1006 01:22:51,112 --> 01:22:54,397 � So I can stand beside you. � 1007 01:22:54,398 --> 01:22:57,067 - � No truth to conf-- � - (recording stops) 1008 01:22:57,068 --> 01:22:59,987 I MEAN, IT'S RAW EMOTION, MAX. DO YOU KNOW WHAT I MEAN? 1009 01:22:59,988 --> 01:23:02,172 - THAT'S WHAT I BROUGHT-- - WE. WE BROUGHT. 1010 01:23:02,173 --> 01:23:03,590 THAT'S WHAT WE BROUGHT YOU TODAY-- 1011 01:23:03,591 --> 01:23:06,393 RAW FUCKING EMOTION. DIMA'S FOUND HIS SOUL. 1012 01:23:06,394 --> 01:23:08,929 VERY GOOD. VERY GOOD. 1013 01:23:08,930 --> 01:23:11,514 IT IS VERY GOOD. I MEAN IT'S A SMASH. IT'S A FUCKING SMASH. 1014 01:23:11,515 --> 01:23:13,733 - YOU WROTE IT YOURSELF? - DA. 1015 01:23:13,734 --> 01:23:15,268 - Ian: EVERY WORD. - DO YOU HAVE MORE? 1016 01:23:15,269 --> 01:23:17,670 I MEAN THE BOY'S ON A ROLL, MAXIE. 1017 01:23:17,671 --> 01:23:20,273 - HE'S A FUCKING GENIUS. - ONE THING. 1018 01:23:20,274 --> 01:23:22,742 IT SOUNDS LIKE A GIRL WROTE IT. 1019 01:23:22,743 --> 01:23:25,478 YES, I MEAN ABSOLUTELY. 1020 01:23:25,479 --> 01:23:27,714 AND I THINK THAT WAS THE BIG BREAKTHROUGH-- 1021 01:23:27,715 --> 01:23:30,250 THAT DIMA'S GOT IN TOUCH WITH HIS INNER WOMAN. 1022 01:23:31,770 --> 01:23:33,103 - (laughs) - I DON'T KNOW. 1023 01:23:33,104 --> 01:23:35,922 BUT STILL, IT'S A GIRL SONG TO ME. 1024 01:23:35,923 --> 01:23:38,158 NO, OF COURSE. BUT WHAT YOU DON'T REALIZE HERE, MAX, 1025 01:23:38,159 --> 01:23:40,260 IS THAT IT TAKES A MAN WITH HUGE TESTICLES 1026 01:23:40,261 --> 01:23:43,163 TO SING A POWER BALLAD, AND THAT IS WHAT WE'VE GOT HERE. 1027 01:23:43,164 --> 01:23:46,333 MAKE NO BONES ABOUT IT, IT'S A FUCKING POWER BALLAD. 1028 01:23:46,334 --> 01:23:49,853 I MEAN IT'S JUST SO FUCKING SELLABLE. 1029 01:23:49,854 --> 01:23:52,689 COME ON, MAXIE, LET'S TALK DOLLARS. 1030 01:23:52,690 --> 01:23:56,026 - IT WILL BE A BIG HIT. - SO LET'S TALK BIG MONEY. 1031 01:23:56,027 --> 01:23:59,830 ABSOLUTELY. HANDLE THIS RIGHT, WE CAN MAKE A LOT OF MONEY. 1032 01:23:59,831 --> 01:24:03,050 WHOEVER CREATED THIS SHOULD GET THEIR SHARE. 1033 01:24:03,051 --> 01:24:05,785 IF WE CAN FIND HER. 1034 01:24:05,786 --> 01:24:08,454 � In what we'll be, give me strength � 1035 01:24:08,455 --> 01:24:12,759 � So I can stand beside you � 1036 01:24:12,760 --> 01:24:14,811 � No truth to confirm... � 1037 01:24:14,812 --> 01:24:18,014 WHAT'S THIS, MAX? 1038 01:24:18,015 --> 01:24:20,484 THAT'S OUR FUCKING TUNE. MAX, I'LL TELL YOU WHAT-- 1039 01:24:20,485 --> 01:24:23,486 I'LL TELL YOU WHAT'S FUCKING HAPPENED HERE. 1040 01:24:23,487 --> 01:24:25,656 ME AND DIMA HAD PUT THE TUNE ON YOUTUBE 1041 01:24:25,657 --> 01:24:28,708 FOR A BIT OF A TESTER AND THESE FUCKING TARTS HAVE STOLEN IT. 1042 01:24:28,709 --> 01:24:32,362 I MEAN HAS NO ONE GOT ANY FUCKING INTEGRITY ANYMORE? 1043 01:24:32,363 --> 01:24:34,163 CAN I TELL YOU WHAT I THINK? 1044 01:24:34,164 --> 01:24:36,132 FUCKING LIES, IAN. 1045 01:24:36,133 --> 01:24:38,535 THIS IS HEARTFELT AND HONEST. 1046 01:24:38,536 --> 01:24:40,687 UNLIKE YOU, IAN. 1047 01:24:40,688 --> 01:24:43,173 - GET OUT! - MAX. 1048 01:24:50,214 --> 01:24:53,684 MAX, THE PERCENTAGES ARE THERE TO BE NEGOTIATED. 1049 01:24:53,685 --> 01:24:55,552 OUT! 1050 01:24:55,553 --> 01:24:57,437 RIGHT. OKAY, MAX. 1051 01:24:57,438 --> 01:24:59,606 WHAT I'LL DO IS I'LL GIVE YOU A CALL TOMORROW, OKAY? 1052 01:24:59,607 --> 01:25:02,976 GIVE YOU A CHANCE TO SLEEP ON IT, OKAY, DARLING? 1053 01:25:02,977 --> 01:25:05,078 SPEAK TO YOU TOMORROW, MAX. YES? CIAO FOR NOW. 1054 01:25:19,210 --> 01:25:20,927 DIMA. 1055 01:25:20,928 --> 01:25:23,062 YOU COULD HAVE JUMPED IN THERE AND HELPED OUT A BIT. 1056 01:25:24,999 --> 01:25:28,201 DIMA, COME ON, DARLING. YOU KNOW, YOU WIN SOME, YOU LOSE SOME. 1057 01:25:28,202 --> 01:25:30,870 WHEN DO I WIN? LISTEN, YOU'RE FIRED. 1058 01:25:30,871 --> 01:25:32,839 - YOU'RE REALLY FIRED, OKAY? - FIRED? 1059 01:25:32,840 --> 01:25:34,941 DON'T BE A DONUT, DIMA. YOU CAN'T MEAN IT. 1060 01:25:34,942 --> 01:25:37,760 I MEAN IT'S IAN AND DIMA. DIMA AND IAN. 1061 01:25:44,118 --> 01:25:46,853 � TELL HOW YOU'VE NEVER � 1062 01:25:49,240 --> 01:25:52,008 � FELT DELICATE OR INNOCENT � 1063 01:25:54,612 --> 01:25:57,247 � NEVER FELT SO LONELY � 1064 01:25:57,248 --> 01:26:00,049 � I WISH THAT YOU COULD SHOW ME LOVE � 1065 01:26:00,050 --> 01:26:02,385 - (phone rings) - (echoes) HELLO. 1066 01:26:05,289 --> 01:26:07,691 � SHOW ME LOVE � 1067 01:26:07,692 --> 01:26:10,993 � THERE'S NO WAY TO TURN AROUND � 1068 01:26:10,994 --> 01:26:13,162 � SHOW ME LOVE. � 1069 01:26:21,389 --> 01:26:23,790 (phone ringing) 1070 01:26:25,893 --> 01:26:28,378 (whirrs) 1071 01:26:49,851 --> 01:26:52,219 I AM MAX. 1072 01:26:52,220 --> 01:26:54,821 I'VE BEEN LOOKING FOR YOU. 1073 01:26:54,822 --> 01:26:57,257 WHAT? 1074 01:26:57,258 --> 01:27:00,594 I MANAGE A BAND CALLED T.A.T.U. 1075 01:27:00,595 --> 01:27:03,513 � You and I holding tight � 1076 01:27:03,514 --> 01:27:06,249 � You and I got to fight � 1077 01:27:06,250 --> 01:27:09,052 � You and I side by side � 1078 01:27:09,053 --> 01:27:11,755 � You and I satisfied � 1079 01:27:11,756 --> 01:27:14,591 � You and I feel so right � 1080 01:27:14,592 --> 01:27:17,444 - � You and I holding tight... � - (playing piano) 1081 01:27:17,445 --> 01:27:20,247 � You and I side by side � 1082 01:27:20,248 --> 01:27:24,100 � You and I for the rest of our lives. � 1083 01:27:26,737 --> 01:27:29,589 WAY COOL. I LIKE YOUR SONG. 1084 01:27:29,590 --> 01:27:32,926 - YEAH, WE REALLY LOVED IT. - DO YOU REALLY? 1085 01:27:32,927 --> 01:27:35,095 OF COURSE. 1086 01:27:35,096 --> 01:27:37,580 IF I SAY IT'S GOOD, IT IS GOOD. 1087 01:27:37,581 --> 01:27:40,267 SO YOU'VE WRITTEN A LOT MORE SONGS, YEAH? 1088 01:27:40,268 --> 01:27:42,902 YEAH, I JUST HAVEN'T FINISHED THEM YET. 1089 01:27:42,903 --> 01:27:45,705 YOU WROTE THESE LYRICS AND COMPOSED? 1090 01:27:45,706 --> 01:27:47,607 YOU'VE GOT A GREAT FUTURE. 1091 01:27:49,310 --> 01:27:51,210 I DO? 1092 01:28:05,810 --> 01:28:07,944 I DIDN'T DO IT BY MYSELF. 1093 01:28:07,945 --> 01:28:09,980 I KNOW. 1094 01:28:12,300 --> 01:28:14,284 LANA WROTE THE LYRICS. 1095 01:28:14,285 --> 01:28:16,770 WELL, SHE'S GOOD. 1096 01:28:16,771 --> 01:28:18,354 YOU ARE GOOD TOO. 1097 01:28:18,355 --> 01:28:20,706 - BUT TOGETHER... - YOU'RE FANTASTIC. 1098 01:28:20,707 --> 01:28:23,042 Max: WHERE IS LANA? 1099 01:28:23,043 --> 01:28:25,044 I DON'T KNOW. 1100 01:29:39,069 --> 01:29:41,304 (door opens) 1101 01:29:52,032 --> 01:29:54,400 I'M SO SORRY, LANA. 1102 01:29:57,888 --> 01:30:00,873 I HAVEN'T BEEN VERY HONEST WITH YOU. 1103 01:30:05,096 --> 01:30:06,997 AFTER MY MOTHER DIED... 1104 01:30:10,134 --> 01:30:12,018 MY MOTHER WASN'T THERE, 1105 01:30:12,019 --> 01:30:14,320 MY FATHER WASN'T THERE. 1106 01:30:14,321 --> 01:30:16,740 THE DRUGS WERE THERE. 1107 01:30:19,276 --> 01:30:20,676 I KNOW. 1108 01:30:26,484 --> 01:30:29,486 I NEVER SLEPT WITH EDWARD. 1109 01:30:30,988 --> 01:30:32,722 - AND DIMA-- - IT'S-- 1110 01:30:32,723 --> 01:30:35,107 IT'S OKAY. I KNOW. 1111 01:30:38,595 --> 01:30:41,731 I WAS GOING TO COME BACK AFTER I GOT THE MONEY. 1112 01:30:44,768 --> 01:30:47,937 BUT I THOUGHT I COULD DO EVERYTHING ON MY OWN. 1113 01:30:51,342 --> 01:30:53,743 - I LEARNED SOME RUSSIAN. - DA? 1114 01:31:03,988 --> 01:31:07,006 - I LIKE YOUR SCARF. - SHUT UP. 1115 01:31:09,059 --> 01:31:11,127 THERE'S ONE MORE THING I HAVE TO TELL YOU. 1116 01:31:11,128 --> 01:31:13,496 WHAT? 1117 01:31:13,497 --> 01:31:17,000 IT'S KIND OF A LONG STORY AND A LITTLE COMPLICATED, 1118 01:31:17,001 --> 01:31:20,069 BUT, YOU KNOW WHAT? 1119 01:31:20,070 --> 01:31:22,939 HOLD ON. HOLD ON. I'LL BE RIGHT BACK, OKAY? 1120 01:31:34,518 --> 01:31:36,786 SHE'LL BE SO SURPRISED. 1121 01:31:36,787 --> 01:31:38,988 - TA-DA! - TA-DA! 1122 01:31:42,493 --> 01:31:45,295 THIS IS LANA. LANA, THIS IS T.A.T.U. 1123 01:31:48,900 --> 01:31:50,867 I TOLD YOU IT WAS A LITTLE COMPLICATED. 1124 01:31:50,868 --> 01:31:52,702 BUT THEY'RE GONNA GET YOU OUT 1125 01:31:52,703 --> 01:31:56,306 AND THEY'RE GONNA BE SINGING OUR SONG AT THE CONCERT. 1126 01:31:56,307 --> 01:31:59,842 YEAH, WE REALLY LIKE IT. 1127 01:31:59,843 --> 01:32:03,013 - � YOU AND I FEEL SO RIGHT... � - MOM! 1128 01:32:03,014 --> 01:32:05,715 � YOU AND I HOLDING TIGHT � 1129 01:32:05,716 --> 01:32:08,618 � YOU AND I SIDE BY SIDE � 1130 01:32:08,619 --> 01:32:10,287 � YOU AND I � 1131 01:32:10,288 --> 01:32:12,722 � FOR THE REST OF OUR LIVES... � 1132 01:32:15,092 --> 01:32:17,527 (crowd cheering) 1133 01:32:22,500 --> 01:32:25,401 � EVERY NIGHT WE'RE ALL ALONE � 1134 01:32:25,402 --> 01:32:28,171 � EVERY NIGHT MY ONLY HOPE � 1135 01:32:28,172 --> 01:32:33,359 � IS THE LIGHT THAT'S SHINING FROM INSIDE YOU � 1136 01:32:33,360 --> 01:32:36,262 � 'CAUSE YOU BELIEVE IN WHAT WE ARE � 1137 01:32:36,263 --> 01:32:39,132 � YOU BELIEVE IN WHAT WE'LL BE � 1138 01:32:39,133 --> 01:32:40,800 � GIVE ME STRENGTH � 1139 01:32:40,801 --> 01:32:44,637 � SO I CAN STAND BESIDE YOU � 1140 01:32:44,638 --> 01:32:47,290 � NO TRUTH TO CONFIRM � 1141 01:32:47,291 --> 01:32:50,193 � NO LIES TO DENY � 1142 01:32:50,194 --> 01:32:53,062 � TOO HOPELESS TO CARE � 1143 01:32:53,063 --> 01:32:55,965 � WE'RE TOO SCARED TO CRY � 1144 01:32:55,966 --> 01:32:59,002 � YOU AND I HOLDING TIGHT � 1145 01:32:59,003 --> 01:33:01,438 � YOU AND I GOT TO FIGHT � 1146 01:33:01,439 --> 01:33:04,040 � YOU AND I SIDE BY SIDE � 1147 01:33:04,041 --> 01:33:07,143 � YOU AND I SAY GOODBYE � 1148 01:33:07,144 --> 01:33:10,580 � YOU AND I FEEL SO RIGHT � 1149 01:33:10,581 --> 01:33:12,632 � YOU AND I HOLDING TIGHT � 1150 01:33:12,633 --> 01:33:15,352 � YOU AND I SIDE BY SIDE � 1151 01:33:15,353 --> 01:33:19,589 � YOU AND I FOR THE REST OF OUR LIVES... � 1152 01:33:30,350 --> 01:33:33,586 IT FEELS GOOD, DOESN'T IT? 1153 01:33:33,587 --> 01:33:35,454 LOOK AFTER EACH OTHER. 1154 01:33:35,455 --> 01:33:38,024 � CAST ASIDE TO AN ANGRY STREET � 1155 01:33:38,025 --> 01:33:40,827 � CRITICIZED FOR WHAT WE BELIEVE � 1156 01:33:40,828 --> 01:33:42,262 � IF WE HIDE � 1157 01:33:42,263 --> 01:33:46,199 � MAYBE WE CAN MAKE IT THROUGH THIS � 1158 01:33:46,200 --> 01:33:48,501 � NO TRUTH TO CONFIRM � 1159 01:33:48,502 --> 01:33:51,821 � NO LIES TO DENY � 1160 01:33:51,822 --> 01:33:54,457 � TOO HOPELESS TO CARE � 1161 01:33:54,458 --> 01:33:57,493 � WE'RE TOO SCARED TO CRY � 1162 01:33:57,494 --> 01:34:00,346 � YOU AND I HOLDING TIGHT � 1163 01:34:00,347 --> 01:34:02,848 � YOU AND I GOT TO FIGHT � 1164 01:34:02,849 --> 01:34:05,535 � YOU AND I SIDE BY SIDE � 1165 01:34:05,536 --> 01:34:08,621 � YOU AND I SAY GOODBYE � 1166 01:34:08,622 --> 01:34:11,624 � YOU AND I FEEL SO RIGHT � 1167 01:34:11,625 --> 01:34:14,193 � YOU AND I HOLDING TIGHT � 1168 01:34:14,194 --> 01:34:16,212 � YOU AND I SIDE BY SIDE... � 1169 01:34:16,213 --> 01:34:19,515 Janie: DID ALL THIS HAPPEN SO WE WOULD END UP HERE? 1170 01:34:19,516 --> 01:34:22,552 Lana: NO, THIS IS WHERE IT BEGINS. 1171 01:34:22,553 --> 01:34:25,188 (crowd cheering) 1172 01:34:30,094 --> 01:34:31,978 (typing) 1173 01:34:31,979 --> 01:34:34,363 WHAT'S A GOOD NAME FOR A BIRD? 1174 01:34:35,966 --> 01:34:37,851 - MARSHA. - (doorbell buzzes) 1175 01:34:37,852 --> 01:34:41,421 MARSHA? WHO FALLS IN LOVE WITH A BIRD CALLED MARSHA, YOU DONUT? 1176 01:34:52,716 --> 01:34:53,983 YES? 1177 01:34:53,984 --> 01:34:56,453 IS YOUR NAME OLGA? 1178 01:34:57,921 --> 01:34:59,872 DO I LOOK LIKE MY NAME'S OLGA? 1179 01:34:59,873 --> 01:35:02,008 MY NAME'S BILL. 1180 01:35:03,694 --> 01:35:05,578 YEAH, SO? 1181 01:35:05,579 --> 01:35:07,446 SO WHY, FUCKER, 1182 01:35:07,447 --> 01:35:09,499 HAVE I BEEN SENDING YOU MONEY? 1183 01:35:09,500 --> 01:35:11,133 (grunts) 1184 01:35:29,253 --> 01:35:33,339 � WHEN YOU'RE NAKED IN THE SHOWER � 1185 01:35:33,340 --> 01:35:37,443 � WHEN YOU'RE SLEEPING FOR AN HOUR � 1186 01:35:37,444 --> 01:35:41,364 � WHEN YOU'RE BIG, WHEN YOU'RE SMALL � 1187 01:35:41,365 --> 01:35:45,468 � OH, I WISH I WAS A FLY ON THE WALL � 1188 01:35:45,469 --> 01:35:49,439 � WHEN YOU'RE WITH HER AFTER MIDNIGHT � 1189 01:35:49,440 --> 01:35:53,409 � WHEN YOU KISS HER IN THE DAYLIGHT � 1190 01:35:53,410 --> 01:35:57,346 � WHEN YOU BREAK, BARBIE DOLL � 1191 01:35:57,347 --> 01:36:01,450 � OH, I WISH I WAS A FLY ON THE WALL � 1192 01:36:01,451 --> 01:36:05,421 � WANNA SEE WHO YOU ARE � 1193 01:36:05,422 --> 01:36:10,610 � EVERY INCH, EVERY SCAR � 1194 01:36:10,611 --> 01:36:12,761 � FROM YOUR HEAD TO YOUR TOES � 1195 01:36:12,762 --> 01:36:14,346 � I WOULD BE THERE � 1196 01:36:14,347 --> 01:36:16,733 � FROM YOUR BED TO YOUR CLOTHES � 1197 01:36:16,734 --> 01:36:18,584 � I'M IN THE AIR � 1198 01:36:18,585 --> 01:36:21,905 � WHEN YOU THINK YOU'RE ALONE I'LL BE DOWN THE HALL � 1199 01:36:21,906 --> 01:36:25,858 � I COULD SEE IT IF I WAS A FLY ON THE WALL � 1200 01:36:25,859 --> 01:36:27,977 � WHAT YOU DO ON YOUR OWN � 1201 01:36:27,978 --> 01:36:30,079 � I COULD SEE IT ALL � 1202 01:36:30,080 --> 01:36:33,733 � YOU UNDRESS, I WISH I WAS A FLY ON THE WALL � 1203 01:36:33,734 --> 01:36:36,719 � YEAH YEAH � 1204 01:36:36,720 --> 01:36:39,388 � FOR THE DRAMA � 1205 01:36:39,389 --> 01:36:41,424 � THAT YOU'RE DRINKING � 1206 01:36:41,425 --> 01:36:43,426 � AND THE DARK THOUGHTS � 1207 01:36:43,427 --> 01:36:45,628 � YOU ARE THINKING � 1208 01:36:45,629 --> 01:36:47,363 � AND THE LOVE NOTES � 1209 01:36:47,364 --> 01:36:49,532 � THAT YOU SCRAWL � 1210 01:36:49,533 --> 01:36:53,469 � OH, I WISH I WAS A FLY ON THE WALL � 1211 01:36:53,470 --> 01:36:57,439 � SILENTLY I ARRIVE � 1212 01:36:57,440 --> 01:37:02,495 � YOU DON'T KNOW I'M ALIVE � 1213 01:37:02,496 --> 01:37:04,663 � FROM YOUR HEAD TO YOUR TOES � 1214 01:37:04,664 --> 01:37:06,466 � I WOULD BE THERE � 1215 01:37:06,467 --> 01:37:08,701 � FROM YOUR BED TO YOUR CLOTHES � 1216 01:37:08,702 --> 01:37:10,436 � I'M IN THE AIR � 1217 01:37:10,437 --> 01:37:13,772 � WHEN YOU THINK YOU'RE ALONE I'LL BE DOWN THE HALL � 1218 01:37:13,773 --> 01:37:17,943 � I COULD SEE IT IF I WAS A FLY ON THE WALL � 1219 01:37:17,944 --> 01:37:19,945 � WHAT YOU DO ON YOUR OWN � 1220 01:37:19,946 --> 01:37:22,015 � I COULD SEE IT ALL � 1221 01:37:22,016 --> 01:37:25,751 � YOU UNDRESS, I WISH I WAS A FLY ON THE WALL � 1222 01:37:25,752 --> 01:37:27,786 � YEAH YEAH � 1223 01:37:27,787 --> 01:37:30,990 � WISH I WAS A FLY ON THE WALL � 1224 01:37:30,991 --> 01:37:33,893 � YEAH YEAH � 1225 01:37:41,268 --> 01:37:43,403 � EVER CLOSER � 1226 01:37:43,404 --> 01:37:45,438 � EVER NEARER � 1227 01:37:45,439 --> 01:37:49,509 � WHEN YOU'RE LOOKING IN THE MIRROR � 1228 01:37:49,510 --> 01:37:53,513 � I WOULD KNOW WHO YOU CALL � 1229 01:37:53,514 --> 01:37:58,951 � IF I WAS A FLY ON THE WALL � 1230 01:37:58,952 --> 01:38:00,520 � OOH � 1231 01:38:00,521 --> 01:38:02,688 � FROM YOUR HEAD TO YOUR TOES � 1232 01:38:02,689 --> 01:38:04,490 � I WOULD BE THERE � 1233 01:38:04,491 --> 01:38:06,725 � FROM YOUR BED TO YOUR CLOTHES � 1234 01:38:06,726 --> 01:38:08,528 � I'M IN THE AIR � 1235 01:38:08,529 --> 01:38:11,897 � WHEN YOU THINK YOU'RE ALONE I'LL BE DOWN THE HALL � 1236 01:38:11,898 --> 01:38:15,901 � I COULD SEE IT IF I WAS A FLY ON THE WALL � 1237 01:38:15,902 --> 01:38:17,937 � WHAT YOU DO ON YOUR OWN � 1238 01:38:17,938 --> 01:38:20,239 � I COULD SEE IT ALL � 1239 01:38:20,240 --> 01:38:23,709 � YOU UNDRESS, I WISH I WAS A FLY ON THE WALL � 1240 01:38:23,710 --> 01:38:25,744 � YEAH YEAH � 1241 01:38:25,745 --> 01:38:29,148 � WISH I WAS A FLY ON THE WALL � 1242 01:38:29,149 --> 01:38:32,251 � YEAH YEAH � 1243 01:38:40,427 --> 01:38:42,661 � FROM YOUR HEAD TO YOUR TOES � 1244 01:38:42,662 --> 01:38:44,497 � I WOULD BE THERE � 1245 01:38:44,498 --> 01:38:46,699 � FROM YOUR BED TO YOUR CLOTHES � 1246 01:38:46,700 --> 01:38:48,501 � I'M IN THE AIR � 1247 01:38:48,502 --> 01:38:50,703 � WHAT YOU DO ON YOUR OWN � 1248 01:38:50,704 --> 01:38:52,605 � I COULD SEE IT ALL � 1249 01:38:52,606 --> 01:38:55,274 � WHEN YOU THINK YOU'RE ALONE. � 1250 01:39:10,224 --> 01:39:12,992 � YOU � 1251 01:39:12,993 --> 01:39:15,661 � DON'T REGRET � 1252 01:39:17,964 --> 01:39:20,699 � YOUR � 1253 01:39:20,700 --> 01:39:24,903 � PAST EMBRACES � 1254 01:39:26,106 --> 01:39:29,008 � TIME � 1255 01:39:29,009 --> 01:39:31,244 � WILL FORGET � 1256 01:39:34,248 --> 01:39:40,686 � PHRASES AND FACES � 1257 01:39:42,122 --> 01:39:44,257 � NO MORE SAYING WORDS � 1258 01:39:44,258 --> 01:39:46,325 � NO MORE CRYING TEARS � 1259 01:39:46,326 --> 01:39:48,227 � ALL THAT WAS BEFORE � 1260 01:39:48,228 --> 01:39:50,263 � IS NO LONGER HERE � 1261 01:39:50,264 --> 01:39:52,331 � NO MORE SINGING SONGS � 1262 01:39:52,332 --> 01:39:54,300 � SILENT LIPS ARE DRY � 1263 01:39:54,301 --> 01:39:56,135 � ALL THAT WAS BEFORE � 1264 01:39:56,136 --> 01:39:58,404 � SLOWLY PASSING BY � 1265 01:39:58,405 --> 01:40:00,273 � NO MORE SAYING WORDS � 1266 01:40:00,274 --> 01:40:02,275 � NO MORE CRYING TEARS � 1267 01:40:02,276 --> 01:40:04,210 � ALL THAT WAS BEFORE � 1268 01:40:04,211 --> 01:40:06,312 � IS NO LONGER HERE � 1269 01:40:06,313 --> 01:40:08,281 � NO MORE SINGING SONGS � 1270 01:40:08,282 --> 01:40:10,283 � JUST FOR YOU AND I � 1271 01:40:10,284 --> 01:40:12,251 � SILENT NIGHTS ARE LONG � 1272 01:40:12,252 --> 01:40:14,320 � BROKEN HEARTS ARE DRY � 1273 01:40:14,321 --> 01:40:17,223 � NO � 1274 01:40:17,224 --> 01:40:19,425 � TURNING BACK � 1275 01:40:22,196 --> 01:40:25,198 � NO � 1276 01:40:25,199 --> 01:40:28,901 � CANCELATION � 1277 01:40:30,270 --> 01:40:33,339 � CAT'S � 1278 01:40:33,340 --> 01:40:36,041 � IN THE BAG � 1279 01:40:37,777 --> 01:40:41,013 � TRAIN'S � 1280 01:40:41,014 --> 01:40:45,951 � AT THE STATION � 1281 01:40:45,952 --> 01:40:48,321 � NO MORE SAYING WORDS � 1282 01:40:48,322 --> 01:40:50,323 � NO MORE CRYING TEARS � 1283 01:40:50,324 --> 01:40:52,225 � ALL THAT WAS BEFORE � 1284 01:40:52,226 --> 01:40:54,227 � IS NO LONGER HERE � 1285 01:40:54,228 --> 01:40:56,262 � NO MORE SINGING SONGS � 1286 01:40:56,263 --> 01:40:58,264 � SILENT LIPS ARE DRY � 1287 01:40:58,265 --> 01:41:00,233 � ALL THAT WAS BEFORE � 1288 01:41:00,234 --> 01:41:02,335 � SLOWLY PASSING BY � 1289 01:41:02,336 --> 01:41:04,303 � NO MORE SAYING WORDS � 1290 01:41:04,304 --> 01:41:06,305 � NO MORE CRYING TEARS � 1291 01:41:06,306 --> 01:41:08,274 � ALL THAT WAS BEFORE � 1292 01:41:08,275 --> 01:41:10,276 � IS NO LONGER HERE � 1293 01:41:10,277 --> 01:41:12,311 � NO MORE SINGING SONGS � 1294 01:41:12,312 --> 01:41:14,280 � JUST FOR YOU AND I � 1295 01:41:14,281 --> 01:41:16,249 � SILENT NIGHTS ARE LONG � 1296 01:41:16,250 --> 01:41:18,284 � BROKEN HEARTS ARE DRY. �